Sagittarius/Ballroom/Millennium

The various 60’s projects of Curt Boettcher are an addiction I come back to every couple of years.  There’s a 30 minute Andrew Hickey episode on “My World Fell Down” that tells the full, ultimately sad story.  Here’s what I know: “My World Fell Down” was originally a flop single by the Ivy League, a British band.  Across the pond in LA, Gary Usher* thought it could be a hit, but he could find no takers.  So he got some studio musicians (a pre-fame Glen Campbell on verse lead vocals and Bruce Johnston on chorus lead vocals) to record it.  He pitched it to an A&R guy at Columbia who signed the “band.”  

But there was no band, which Usher didn’t mention.  Friend Curt Boettcher had a band called The Ballroom, mostly a studio project. Boettcher had made a name for himself by writing amazing vocal arrangements for the Association, among others. It’s his work you hear on their hits.  He was a Brian Wilson type (BW admired him and was likely influenced by him)  who spent many studio hours on a single song, which was unusual back then for anyone not named the Beatles or Brian Wilson. Anyway, Usher brought in Boettcher and the Ballroom to complete an excellent album which was released under the name Sagittarius.  Boettcher ended up dominating the project.  “My World Fell Down” and “Hotel Indiscreet” were released as singles.  The first did ok on the west coast but flopped nationally.  The other just flopped.  Both single versions had Musique Concrete sections that were edgy for the time.  

Boettcher’s next project was The Millennium.  They made one album, Begin, which is brilliant, a sunshine pop masterpiece with far less filler than the Sagittarius album.  At the time it was the most expensive album ever made due to CB’s obsessiveness. It flopped, so Columbia dropped them.  Perhaps it could have gone somewhere had they not been so studio obsessed, or maybe sunshine pop needed the novelty of a family group like the Cowsills to sell it.  I also wonder if the burgeoning acid rock scene up north in the Bay area rendered them passe.  I’m not sure about the timing, but tastes changed very rapidly back then, and vocal pop was getting to be old hat.

And maybe it still is.  Back when we were doing Music League, I posted a couple of the songs above, and they tanked.  But but give them a shot.  Some of it sounds twee, but the musical ideas are outstanding. I think all of the released music is available for streaming.  Word is, there’s strong work that’s never become available. Even the released music used to be very hard to find. “My World Fell Down” appeared on Nuggets, and Various CD releases of the Sagittarius and Millennium albums trickled out over the years, but a small box of all the Millennium sessions didn’t come out until 2021.  We’re in extreme cult territory here…

”Another Time” would have been perfect for The Carpenters.

*producer of the Byrds and Beach Boys, and best of all, the horror hot rod/surf album Dracula’s Deuce by the Ghouls, featuring such classics as “The Little Old Lady From Transylvania” and “Be True To Your Ghoul.”

Seeds Documentary!

Not sure how a doc about some of my favorite proto-punks got past me.  This goes straight to the top of my list if it’s available anywhere.

The Smoke

The Smoke seemed destined to be the greatest British band of the 60’s.  Read on for their sad tale of record industry greed, radio station indifference, distribution mishaps, managerial exploitation, personal tragedy, substance abuse, mental instability, and an apathetic, capricious and philistine public…

Just kidding!  They seem to be a classic 60’s case of one-hit wonders.  I’d never heard this song until it popped up in my YouTube feed the other day.  It became a big hit in Germany in ’67 (the year I moved, so I never heard it), but in England its progress up the charts was knee-capped by the BBC for drug references (the BBC did such a great job keeping young Brits off drugs).  The most remarkable thing about this band is that not one of them did anything noteworthy before or after this song.  Usually when you look into British bands with a hit during this period, you’ll find that at least one or two of them before or after played with someone you’ve heard of.  But not these guys.  Anyway, it’s a pretty good song and worth hearing.

Honeybus

For whatever reason, I found myself revisiting cult faves Honeybus over the weekend.  If you’re unfamiliar and craving some late 60’s psychedelic/baroque/folk/pop, they could be your fix.  I recommend streaming the anthology pictured above.  Some good hooks and harmonies throughout, though I found myself skipping a good amount of songs.  Your mileage may vary.  Perhaps due to the drug-addled times, there are some oddities, such as this otherwise good song marred by a fucking kazoo.  They had a top ten UK hit with this, which almost, just-about sounds like it could be a parody of the baroque pop of the time.

Speaking of twee pop parodies, nothing will ever surpass this masterpiece (said to be a parody of Ray Davies’ “Funny Face”) from Neil Innes, the man who would one day compose the entire Rutles catalog in something like a week.

Something Cringey

I recently re-watched The Beatles Anthology with recent convert, Renfield Jr.  Great series, but I had a hard time making it through this video featuring the hirsute-era Beatles mooning over and frolicking with their significant others.  I’m not sure why anyone thought this would be entertaining, but maybe the point was narcissism rather than entertainment.

Don’t Ask Me What I Want It For

I know it’s probably verging on blasphemy for some when I say I’m really digging Giles Martin’s new stereo mix of Revolver. Thinking very seriously of grabbing it on vinyl.

More Nazz


I’ve posted a Nazz song or two here and there. Was about to blargh more substantially about them, then I ran across this video, a decent overview. First I’ve heard of this YouTuber, but apparently he does a lot of these on various bands.

Not Wrong Long always reminds me of Hot Burrito #2. Both released the same year, ’68. Coincidence? Who knows? Who cares?

Pedantic correction: Nazz Nazz came out in ’69.

Rhino released a cool red vinyl Nazz Nazz some years ago (seen on the turntable in video). Not hard to find.