Reading Is Fundamental

What are any of you bastards reading these days? Believe it or not, I put down the band bios for a minute and I’ve been enjoying the hell out of John Dies At The End. It’s got kind of a MIB vibe, if the agents were a couple of twenty-something college dropouts.

In this reissue of an Internet phenomenon originally slapped between two covers in 2007 by indie Permutus Press, Wong — Cracked.com editor Jason Pargin’s alter ego — adroitly spoofs the horror genre while simultaneously offering up a genuinely horrifying story. The terror is rooted in a substance known as soy sauce, a paranormal psychoactive that opens video store clerk Wong’s — and his penis-obsessed friend John’s — minds to higher levels of consciousness. Or is it just hell seeping into the unnamed Midwestern town where Wong and the others live? Meat monsters, wig-wearing scorpion aberrations and wingless white flies that burrow into human skin threaten to kill Wong and his crew before infesting the rest of the world. A multidimensional plot unfolds as the unlikely heroes drink lots of beer and battle the paradoxes of time and space, as well as the clichés of first-person-shooter video games and fantasy gore films. Sure to please the Fangoria set while appealing to a wider audience, the book’s smart take on fear manages to tap into readers’ existential dread on one page, then have them laughing the next.

The Favourite

Mrs. Makerbot and I saw this at The Blue-Hair Cinema Grill last night. I laughed, I cried! It was better than CATS!

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

Marvel Comics 7-Eleven Slurpee Plastic Cup Set

Originally posted to Facebook, but I’m deleting all my shit over there and wanted to hang on to these. Marvel Slurpee cups, one more pop culture item that makes me nostalgic for the Seventies.

Four sets of these plastic cups were produced — three for Marvel Comics characters and one set for DC Comics characters. This is the first of the three Marvel sets issued. Marvel’s more popular characters — Spider-Man, The Incredible Hulk and The Thing — each received three cups.

Holiday Traditions

https://youtu.be/xJAxRVeKnTE

For what it’s worth, all of Jim Gaffigan’s albums are on Spotify. Recently, I listened to a couple while I was working. Big mistake. This clip is from 2009’s Beyond the Pale.

Help! Magazine

Holy shit, more pop culture dots connected. Before I forget, a few full issues of Help! are available online.

Help! is an American satire magazine that was published by James Warren from 1960 to 1965. It was Harvey Kurtzman’s longest-running magazine project after leaving Mad and EC Publications, and during its five years of operation it was chronically underfunded, yet innovative.

In starting Help!, Kurtzman brought along several artists from his Mad collaborations, including Will Elder, Jack Davis, John Severin and Al Jaffee.

Kurtzman’s assistants included Charles Alverson, Terry Gilliam and Gloria Steinem; the latter was helpful in gathering the celebrity comedians who appeared on the covers and the fumetti strips the magazine ran along with more traditional comics and text pieces. Among the then little-known performers in the fumetti were John Cleese, Woody Allen and Milt Kamen; better-known performers such as Orson Bean were also known to participate. Some of the fumetti were scripted by Bernard Shir-Cliff.

At Help!, Gilliam met Cleese for the first time, resulting in their collaboration years later on Monty Python’s Flying Circus. Cleese appeared in a Gilliam fumetto written by David Crossley, “Christopher’s Punctured Romance”. The tale concerns a man who is shocked to learn that his daughter’s new “Barbee” doll has “titties”; however, he falls in love with the doll and has an affair. Gilliam appeared on two covers of Help! and along with the rest of the creative team, appeared in crowd scenes in several fumetti.

The magazine introduced young talents who went on to influential careers in underground comix as well as the mainstream: among them Robert Crumb, Gilbert Shelton and Jay Lynch. Algis Budrys and other science fiction writers were regular contributors of prose and scripts to the magazine.

A total of 26 issues were printed before the magazine folded in 1965. Volume one (Aug. 1960–Sept. 1961) had 12 issues, and 14 issues comprised the second volume (Feb. 1962–Sept. 1965).

Bob 2 Throbblehead

We must repeat!

Bob Casale, one of the 5 essential gears in the original Devo Fab 5, gets honored posthumously with this hand-numbered, limited edition, 7″ sculpted figure of 1,000 units. Bob is outfitted for devolved action with his “Duty Now for the Future” era helmet and protective pads circa 1979 and his classic Devo Tee and 3-D glasses.

This year marks legendary Devo’s 40th anniversary release of their iconic debut record, “Are We Not Men?, We Are Devo!” Commemorate Bob 2 (and his famous facial mole) by stepping up and becoming one of the few Throbblehead owning members of the Devolutionary Army.

Get yourn here.

UPDATE: Q: Are We Not Men? A: We Are Devo! came out 40 years ago. In its honor, 99% Invisible‘s Sean Cole investigates the creation of that iconic cover, interviewing all involved – INCLUDING CHI-CHI RODRIGUEZ.