Category: Things That Are British

Posted on // 4 Comments

Ooh! Ooh!

Any of you bastards ever see Moon? (AKA the tiny, old-school-sci-fi movie that David Bowie’s son directed.) Can’t believe it came out 10 years ago, but then, I can’t believe I’m 50. Go figure.

Moon is on Netflix at the moment, and well worth a look. It’s best to go in cold though, so don’t watch trailers or read spoilerish reviews. It’s so beloved that a book is coming out later this year to commemorate its 10-year anniversary. Check it out …

Titan Books and Liberty Films are delighted to announce the publication of Making Moon to coincide with the 10th anniversary of Moon’s initial release, as well as the 50th anniversary of the Apollo 11 moon landing. Director Duncan Jones’ feature film debut, Moon won the BAFTA for Outstanding Debut by a British Writer, Director or Producer, along with numerous film critic and film festival awards. Moon was also nominated for the BAFTA for Best British Film and the Saturn Award for Best Science Fiction Film in 2009.

Directed by Duncan Jones, and written by Nathan Parker from a story by Jones, Moon is a 2009 science fiction drama following Sam Bell (Oscar®-winner Sam Rockwell), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the moon. Independently financed and produced on a modest budget, Moon became an instant cult classic. It was well received by critics and audiences alike, and was particularly praised for its scientific plausibility and realism.

Set to publish on 3 September 2019, Making Moon will take an in-depth look back at the film’s production. It features interviews with the film’s key creatives and includes rare concept and behind-the-scenes images, as well as excerpts from the original shooting script.

Posted on // 2 Comments

And When I Get Excited, My Little China Girl Says…

I’ve never seen the unedited video.

It’s hard to imagine in these times, just how much of an uproar the unedited version of David Bowie’s China Girl video created when it was first released in 1983.

The effect on ordinary folk was like that scene in Perfume, with folk ripping off each other’s clothes and fornicating in the streets and the like.

OK, it wasn’t quite like that, but there was certainly a right brouhaha in the press and it was even banned by TV stations the world over.

The David Mallet directed video featured New Zealand model Geeling Ng, and the final moments of the video with her naked in the surf with Bowie (which got some a little hot under the collar), was a visual reference to the film From Here To Eternity.

Of course, this was all a bit of a distraction from the intended message of the video and possibly even Iggy Pop’s original lyric too.

Mainly shot in the Chinatown district of Sydney, the China Girl video (along with the previous Let’s Dance video), was a critique of racism with Bowie describing it as a “very simple, very direct” statement against racism.

Bowie said in Rolling Stone that same year: “Let’s try to use the video format as a platform for some kind of social observation, and not just waste it on trotting out and trying to enhance the public image of the singer involved. I mean, these are little movies, and some movies can have a point, so why not try to make some point.”

And in another interview at the time, Bowie opined: “The message that they [the videos] have is very simple, it’s wrong to be racist!”

Which is funny, because Iggy Pop says the lyrics are about his infatuation with Kuelan Nguyen as a metaphor for his time with the Stooges.

Posted on // 3 Comments

They Don’t Bother Me

Everybody has those inexplicable how-the-hell-did-I-miss-this pop culture gaps. Graham Parker is one of mine. Based on everything else I’m into, his music should have been an undeniable can’t miss. I mean, he sounds like Costello, Nick Lowe, or even early Joe Jackson to my ear. What’s not to love? But besides this one song, which I’ve heard less than 10 times in 50 years, I can’t name anything else by him.

Weird.

But this one song is pretty great.

Posted on // 2 Comments

Every Day Is Clash Day

Day late, dollar short. Happy belated International Clash Day!

This is anti-racist, and anti-fear. This is pro-solidarity, pro-unity, and pro-inclusion. This is a public service announcement with GUITARS.

This is International Clash Day 2019, and all day long, all across the globe, we’re celebrating music as a tool for social consciousness, a band that made it sound so damn good, and an iconic record that still changes lives 40 years later.

Check out the other great posters on the dang ol’ site.

Posted on // 2 Comments

Shit

Albert Finney, aged 82, has shuffled off this mortal coil.

Think I’ll watch Miller’s Crossing this weekend …

Posted on // 0 Comments

John Byrne’s Studio

Okay, so I have a John Byrne obsession, so what? He’s still got some pretty cool shit in his studio …

John Lindley Byrne (/bɜːrn/; born July 6, 1950) is a British-born, Canadian raised, American writer and artist of superhero comics. Since the mid-1970s, Byrne has worked on many major superheroes, with noted work on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise, the first issue of which featured comics’ first variant cover. Coming into the comics profession as penciller, inker, letterer and writer on his earliest work, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four (where he also served as penciler and inker). During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He scripted the first issues of Mike Mignola’s Hellboy series and produced a number of Star Trek comics for IDW Publishing. In 2015, Byrne and his X-Men collaborator Chris Claremont were entered into the Will Eisner Award Hall of Fame.

Posted on // 0 Comments

Look Around You

*checks notes*

Yep, talented people still suck.

Look Around You is a British television comedy series devised and written by Robert Popper and Peter Serafinowicz, and narrated in the first series by Nigel Lambert. The first series of eight 10-minute shorts was shown in 2002, and the second series of six 30-minute episodes in 2005, both on BBC Two. The first series of Look Around You was nominated for a BAFTA award in 2003.

The humour is derived from a combination of patent nonsense and faithful references and homages. For instance, fictional items that have a passing resemblance to everyday objects are shown and discussed. Such items include the “boîte diabolique”, a box at the top of a piano scale which housed the “forbidden notes”; and “Garry gum”, a performance-enhancing chewing gum which has the unfortunate side-effect of inducing diarrhoea, necessitating the consumption of “anti-Garry gum”. Each episode begins with a “countdown clock”, similar to the one used on ITV Schools programmes from 1979 to 1987. The music that accompanies the countdown is in the same spirit as the original, but is played on a solo guitar, and at the beginning of the “Brain” module, the guitarist can be heard tuning.

The module subjects are distorted beyond recognition; for instance, germs are described as coming from Germany, and whisky is said to be made by combining water with nitrogen. The maths module features a distorted and inaccurate version of the ancient ‘seven cats’ puzzle by Ahmes. Additionally, subjects are mixed: for example, a chemistry experiment about eggs (In the episode Water) turns into a French language lesson. Each episode follows a general format, beginning with an introduction to the subject, followed by a series of silly experiments performed by the hapless (and normally mute) scientists, played by Popper, Serafinowicz and Edgar Wright, among others.

This is “Music,” episode 6 from the first season.

Posted on // 3 Comments

Sunny Prestatyn

By Philip Larkin

Come To Sunny Prestatyn
Laughed the girl on the poster,
Kneeling up on the sand
In tautened white satin.
Behind her, a hunk of coast, a
Hotel with palms
Seemed to expand from her thighs and
Spread breast-lifting arms.

She was slapped up one day in March.
A couple of weeks, and her face
Was snaggle-toothed and boss-eyed;
Huge tits and a fissured crotch
Were scored well in, and the space
Between her legs held scrawls
That set her fairly astride
A tuberous cock and balls

Autographed Titch Thomas, while
Someone had used a knife
Or something to stab right through
The moustached lips of her smile.
She was too good for this life.
Very soon, a great transverse tear
Left only a hand and some blue.
Now Fight Cancer is there.