Zombie Season

A lot going on here that I missed when I first listened.
My compliments to everyone involved.

Pop-Punk Candy

Mrs. Renfield put me on to this sugar rush of an album (really more like a longish EP).  Many tracks are one-idea songs, but who cares when the hook’s good and they don’t belabor the idea: all but one are under two minutes.  It so happens this band/person/whatever played Gonerfest last week, although it was an afternoon slot on a 90-degree-plus day, so can’t say I’m sorry I missed them.  But this stuff hits my sweet spot.  Good hooks throughout.  Here’s another:

The Smoke

The Smoke seemed destined to be the greatest British band of the 60’s.  Read on for their sad tale of record industry greed, radio station indifference, distribution mishaps, managerial exploitation, personal tragedy, substance abuse, mental instability, and an apathetic, capricious and philistine public…

Just kidding!  They seem to be a classic 60’s case of one-hit wonders.  I’d never heard this song until it popped up in my YouTube feed the other day.  It became a big hit in Germany in ’67 (the year I moved, so I never heard it), but in England its progress up the charts was knee-capped by the BBC for drug references (the BBC did such a great job keeping young Brits off drugs).  The most remarkable thing about this band is that not one of them did anything noteworthy before or after this song.  Usually when you look into British bands with a hit during this period, you’ll find that at least one or two of them before or after played with someone you’ve heard of.  But not these guys.  Anyway, it’s a pretty good song and worth hearing.

The Subways

Not sure how I missed these guys.

You all need to look in the mirror and ask yourselves if you’re providing me sufficient exposure to all the good bands I need.

Here’s Your Chance

I know Monkeystador has been trying to attract Pussy Riot’s attention for awhile. Well, they’re playing in Tulsa!

You know it’s true because you read it in Pitchfork!

Pussy Riot will receive the Woody Guthrie Prize in Tulsa, Oklahoma, on May 6, and perform at the city’s Cain’s Ballroom that evening. The prize is given annually to an artist who “best exemplifies Guthrie’s spirit and work by speaking for the less fortunate through music, film, literature, dance or other art forms and serving as a positive force for social change.” The ceremony is part of the Woody Guthrie Center’s 10th anniversary celebration, which takes place from May 5 to 7.

Tulsa is a fun town. Surprisingly hip. We can go to the Dylan Archives while we’re there.