Thanks to Droogie for bringing this to my attention! Sadly, I don’t have Paramount+ …
Geddy Lee, legendary bassist and vocalist of Rush, stars in a new docuseries set out to answer one question: Are bass players human, too? He visits fellow bass players Krist Novoselic of Nirvana, Melissa Auf der Maur of Hole, Robert Trujillo of Metallica, and Les Claypool of Primus, to explore their expansive worlds beyond music.
Guys who can play – pretending they can’t – while dressed as monsters is fucking genius.
The Mummies are an American garage punk band formed in San Bruno, California, in 1988. Exhibiting a defiantly raw and lo-fi sound, dubbed “budget rock”, the Mummies’ rebellious attitude and distinctive performance costumes exerted a major influence on garage punk and garage rock revival acts later in the decade, as well as in the 1990s. Their recorded output was intentionally completed with poor, cheap equipment, including their first and only studio album Never Been Caught, which was released after the group’s initial break-up. Since then, the Mummies have engaged in several positively-received reunion concerts and tours, including appearances in Europe and the US sporadically through to recent years. The band is currently working on a movie.
This ten episode, Netflix adult animation series from Sony Pictures Animation is an irreverent action comedy starring Matthew McConaughey as Elvis Presley and follows Elvis as he lives a double-life as a secret agent. The show was created by Priscilla Presley and John Eddie, and was developed by Co-Showrunners Mike Arnold and John Eddie, who also serve as Executive Producers along with Executive Producers Kevin Noel, Matthew McConaughey, Priscilla Presley, with Fletcher Moules serving as Co-Executive Producer and Seranie Manoogian as Producer. Jamie Salter, Corey Salter, and Marc Rosen with Authentic Brands Group also served as Executive Producers. Vancouver-based Titmouse served as the animation studio with Chris Prynoski, Shannon Prynoski, Antonio Canobbio, and Ben Kalina serving as Executive Producers and Gary Ye as Supervising Director, Chris Thompson as Art Director, and Josue Sanchez as Editor. Robert Valley created original character designs, and Agent Elvis’ wardrobe was designed by John Varvatos. Music and original score was composed by Tyler Bates and Timothy Williams.
I was reminded of this today and felt it needed a reposting. As the story goes, I first saw this issue of MAD at my friend Geoff’s house when we were in the third grade. I was a sensitive, sheltered kid, and remember feeling nauseated after reading MAD’s “Punk Rock Group” of the Year. Punching fans! Vomiting and urinating onstage! Self-mutilation!
But a few years later, when I actually got into punk in middle school, I spent an inordinate amount of time looking for it at Memphis Comics and Records. (I never had any success, mostly because I only had a rough timeframe for when that issue would have been published, and no Internet to assist me.)
I did, however, finally find it when my in-laws gave me every issue of MAD on CD one Christmas. These days, I’m positively obnoxious about reposting it.
BONUS: Here’s an interview with artist Harry North.