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Sultan? Sultan?!

Just brilliant.

Possibly one of our favourite letter exchanges ever, and at London’s Freemasons’ Hall back in 2016 Matt Berry and Peter Capaldi joined us to give an incredible, hilarious reading.

In 1675, the Sultan of the Ottoman Empire instructed his army to attack a fortress belonging to the Zaporozhian Cossacks. They were quickly and heavily defeated. Rather than surrender, the Sultan then wrote to the Cossacks and demanded that they submit to him. This fiery exchange was the result.

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The Wilhelm Scream

It’s positively ubiquitous! According to Gizmodo …

The sound effect that’s been heard in countless movies and TV shows over the decades technically has two birthdays. As a sound itself, it originally debuted in the 1951 film Distant Drums from singer-songwriter Sheb Wooley. But it was officially given its name with the minor character of Private Wilhelm in The Charge at Feather River, a western that came out July 11, 1953. In that movie, Wilhelm (played by actor Ralph Brooks) screams after being shot in the thigh with an arrow, which would come to define its use: in all of its appearances in future media, it would be used when someone got shot, blasted back by an explosion, or fell from a high distance.

Recently, CBS News did a story on the Wilhelm Scream, and the outlet revealed that it managed to find a tape with the first recording session Wooley did for the scream. CalArts researcher Craig Smith explained to CBS that he found the tape among many from the archives of the University of Southern California’s film school that were close to being trashed.

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This Is Not About A Car

Watched a pretty decent Netflix documentary about Mr. Johnson last night, which sent me back down the rabbit hole.

And I feel so lonesome, you hear me when I moan
And I feel so lonesome, you hear me when I moan
Who been drivin’ my Terraplane for you since I been gone?
I’d said I flash your lights, mama, you horn won’t even blow
Somebody’s been runnin’ my batteries down on this machine
I even flash my lights, mama, this horn won’t even blow
Got a short in this connection, hoo well, babe, it’s way down below
I’m goin’ heist your hood, mama, I’m bound to check your oil
I’m goin’ heist your hood, mama, mmm, I’m bound to check your oil
I got a woman that I’m lovin’, way down in Arkansas
Now, you know the coils ain’t even buzzin’, little generator won’t get the spark
Motor’s in a bad condition, you gotta have these batteries charged
But I’m cryin’, please, please don’t do me wrong
Who been drivin’ my Terraplane now for you since I been gone?
Mr. highway man, please don’t block the road
Please, please don’t block the road
‘Cause she’s reachin’ a cold one hundred and I’m booked and I got to go
Mmm-mmm-mmm-mmm-mmm
You, you hear me weep and moan
Who been drivin’ my Terraplane now for you since I been gone?
I’m gon’ get deep down in this connection, keep on tanglin’ with your wires
I’m gon’ get deep down in this connection, oh well, keep on tanglin’ with these wires
And when I mash down on your little starter, then your sparkplug will give me fire

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How To Spot A Deepfake

All you got to do is watch, with your ears.

At the encouragement of Fakerbot, I listened to several of the AI-songs out there before they all got yanked after a couple of days. But some of them are back up!

Hearing early Beach Boys”I Get Around” era Brian Wilson falsetto on “Be My Baby” – the song that drove his entire professional career – is sublime. Listen before they take it down again.

I also heard some pretty bad AI Nirvana.
The best of the lot is definitely Elvis singing Iggy Pop.
You can’t even tell it’s simulated!

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It’s In Dubly

[compiled from multiple sources]

Dolby Atmos technology allows up to 128 audio tracks plus associated spatial audio description metadata, which includes sound type, location, movement, intensity, speed and volume.

One of the reasons other highly touted surround sound technologies like 5.1 and 7.1 failed to catch on is because they required a specific speaker configuration. Dolby Atmos, however, is scalable and can adapt to a variety of setups.

The first Dolby Atmos installation was in the El Capitan Theater in Los Angeles for the premiere of Brave in June 2012. As of October 2022, there were over 10,000 Dolby Atmos enabled cinema screens installed or committed to.

Dolby Atmos has also been adapted to a home theater format and is the audio component of Dolby Cinema. Most electronic devices since 2016, as well as smartphones after 2017, have been enabled for Dolby Atmos recording and mixing. Apple has emphasized playback on its AirPods and Beats Fit Pro devices, which all offer a version of the Atmos experience with dynamic head tracking (where the sound shifts along with a user’s movement) in the $200 to $500 range. 

“In general, you have to try to put the tracks into a speaker array so it doesn’t sound too jarring or gimmicky,” a sound engineer said. “The goal is to feel like you’re sitting amongst these musicians as they’re performing. Like all mixing, it’s subjective, and how you approach it really depends on the music itself.”

Susan Rogers, a longtime engineer for Prince, was invited to Dolby company headquarters in San Francisco to listen to a new Atmos mix of Prince’s “When Doves Cry,” a track she originally worked on. She observed that music is a potent form of communication in large part because the consummatory phase happens entirely in the listener’s head. Having clearer and more sound sources can actually make it harder to know what to pay attention to. “That was what I noticed listening to ‘When Doves Cry’ in Atmos,” Rogers said. “It sounded amazing, but it was more difficult to assemble it into a unified whole in that private place I listen to music. I found it distracting.” Her “knee-jerk reaction was ‘do not want,’” she said. “But over time I may learn to like it.”

Any of you esteemed audiophiles care to weigh in? Anyone tried it out?