Tales of True Adventure for Rugged Men Not Unlike Yourself
… but mostly because Welles is an opinionated genius and world-class hater. It’s hard to imagine him being a talk show host who could get guests comfortable.
Throw in Andy Kaufman, and I’m not sure what I was expecting. I was pleasantly surprised. It’s clear that Welles had watched Taxi, and had thought about it in some depth.
“I want to know why it is that you go and wrestle with people, when you can act so well.”
I’ve recently begun making a cautious return to seeing live music again, and I’ve come to realize something I guess I never cared enough to think about before: the encore is ridiculous. At this point, maybe we should just collectively admit that and do away with it. I’m not saying doing an encore was never a cool idea. I like to imagine a simpler time when it was an actual, authentic gesture only granted to crowds who cheered hard enough. Just end the show and then fuck off. The people who leave prior to the encore will find a new excuse to leave early. There’s always an excuse.
You bastards who perform live every week: are you still doing encores? Is it kabuki theater?
Maria Alyokhina (above left), a member of Pussy Riot, has managed to escape Russia. She posed as a food carrier to get into Belarus, and then an Icelandic performance artist convinced a European country to issue her a travel document, which got her safely into Lithuania.
Great recap of the entire cloak-and-dagger operation here. After multiple instances of being jailed for proclaiming Russia’s suckitude over the past decade, she got out. The picture of relative incompetence of the authorities that she paints matches the extensive coverage on Renfield’s website.
“I don’t think Russia has a right to exist anymore,” she said. “Even before, there were questions about how it is united, by what values it is united, and where it is going. But now I don’t think that is a question anymore.”
The Icelandic performance artist was not Bjork, but being Icelandic, he is of course related to Bjork.
Dolly/Carly/Lionel yes, but Devo, MC5, Eurhythmics, Judas Priest hell no.
I’ve been watching this and it’s pretty fantastic. Via Amazon Prime Discovery trial, which I will cancel when finished. The producer who had all the letters in storage boxes was Edward Pressman – who produced Phantom of the Paradise. Have you guys ever seen that?
These guys were so great before drugs and dysfunction overcame them.
The Obi-Wan trailer reminds me of how great Duel of the Fates is.
It sets the perfect tone for the cinematic climax of Phantom Menace. Nothing to that point in Star Wars was choral, which set it apart even more.
I had no idea what they were saying, or if it was a made-up language. It just sounded cool.
“The great sword fight at the end of the film – the decision to make that choral was just the result of my thinking that it should have a ritualistic or quasi-religious feeling, and the introduction of a chorus might be just the thing. … [T]he medium of chorus and orchestra would give us a sense that we’re in a big temple.”
The words originated in the medieval Welsh poem Cad Goddeu (The Battle of the Trees). The text was translated into English by Robert Graves, and published in 1948 as part of The White Goddess: A Historical Grammar of Poetic Myth.
John Williams selected lines 32-35:under the tongue root
a fight most dread,
and another raging
behind in the headWilliams had it translated into a variety of languages, eventually selecting Sanskrit “because of the quality of the vowels.”
Korah Matah Korah Rahtahmah
Korah Rahtamah Yoodhah Korah
Korah Syahdho Rahtahmah Daanyah
Korah Keelah Daanyah
Not the ONLY all-female Zefflin cover band, but they might be the best.
I am required to post Lez Zeppelin for completeness.
In honor of Len Zefflin week, enjoy this gem from the early internets.
I think I liked the song better after finding this. I’m sure it’s what they pictured when they wrote it.