And Now For Something Completely Obscure

Electronic pop duo Silver Apples released their first album in ’68.  I believe that makes them the first ever electronic pop band, predating Can, Kraftwerk, et al.  If any of you bastards know of someone prior to these guys, please clue me in.  They sold very few albums, but one somehow ended up in my house in the mid 70’s.  Ignorant that they predated Kraftwerk, I pretty much dismissed them because I didn’t like the songs very much.  They typically set up good initial ideas but, in my opnion, are let down by the singing and trippy lyrics, which creep me out for some reason.   But the electronic sounds are innovative and excellent.  Those sounds come from “The Simeon,” a primitive, homemade synth built by singer Simeon Coxe, an Alabaman.  He was just stringing together old WWII oscillators and claims that at the time  he’d never heard of Moogs or other synthesizers in develpoment.

Silver Apples’ legacy is hard to pin down.  Some 90’s experimental bands have cited them as an influence, but what about the electronic innovators of the 70’s?  You never heard a word about these guys back then, so did they influence Krautrock, Eno, Devo, prog rockers, or just work in a vacuum?  Who knows, but I can’t help but love their oddball creativity.  Very much in the tradition of American cranks innovating alone in the basement or garage.  But overall they show that first usually isn’t best.

Here is their full story, which is very interesting.  If you want to hear more, below is the entire first album and one song, “You and I”, from their second and final album, which was withdrawn soon after release.  The opening of “You and I” is suspiciously like “Station To Station,” but  I have no idea if Bowie was familiar with it.  The whole second album, which I haven’t heard,  is also on YouTube.

Whiskey Porn

A German or perhaps Scandinavian reviews my favorite Tennessee Whiskey.  I’m posting this because things get funny at around 4:25, when he starts sounding like a 70’s  porn actor getting “serviced.”

RIP, Dave Greenfield

I’ve been meaning to post this for a while, but just now getting around to it.  If you hadn’t heard, COVID-19 recently claimed Dave Greenfield, the keyboardist of The Stranglers, a decent first-wave band overshadowed by the great ones.  To me their work is more interesting than good,  but I give them credit for riding the wave at all.  They were at least different, and very competent musically.  Most importantly, when The Ramones and The Sex Pistols drew the line, these guys stepped on the correct side, unlike most.  I haven’t heard all of them, but my favorite is their overly-long cover of Burt Bacharach’s Walk On By .  Which I guess is another way of saying they needed more hooks.

A Real Tasty Geezer

This funny but rather annoying song popped into my head the other day, probably because I heard the word “geezer.”  I heard it numerous times on the radio in England in the 80’s and was surprised to learn it had made it into the top 10 over there in the early 70’s.  By The Piglets, likely a group of whatever studio musicians were on hand, as is often the case with novelty songs.

Malort…I’ll have another!

“Like being picked on in 5th grade.”

Some other descriptions from around the web: like “earwax, bandaids, and burnt hair.”  My favorite:  “like swallowing a burnt condom filled with gasoline.”

Watusi Rodeo

https://youtu.be/StPPeXiQIro

Low-budget early-80’s fun from Athens’ Guadacanal Diary.  Features infamous midtown character Dancin’ Jimmy doing his thing outside the Antenna Club at about 0:25.  Hilarious dance sequence during the instrumental break. Makes me nostalgic for the days when bands all over the south (most notably REM) were cramming their stuff into station wagons and U-Hauls and hitting cities and college towns, playing at whatever dumps would have them.

Cults

Someone recently put me on to these two songs.  Pretty good.  They’ve been around for a while.  I guess you know you’re old when bands have run their course when you first hear of them.  Seems to be the trend with me recently (which means the last twenty years, more proof that I’m getting up there).