Secret Bar of the Stars




Last weekend I visited Muscle Shoals Sound Studios. Above is a hidden bar accessed via a panelling cut-out. The county was dry back in the day, so it had to be hidden. Twenty-mile drive to the Tennessee state line for restocking. That’s an old video player on the counter for, um, “films.” Original furnshings. The picture on the wall is of Jerry Wexler and Willie Nelson. Some huge talent relaxed in that little room, along with the Swampers, of course. I still find it very funny that musicians came from all over the planet to work with those “black musicians” who played on Staples Singers and Wilson Pickett (and 100 others) records, just to find four white guys who looked like they worked at the local Tractor Supply.

An interesing fact (of many) about that dumpy little building: it’s slightly twisted. No parallel surfaces, so no standing waves. You can place a mike pretty much anywhere without issues.

The tour guide was knowledgeable. Unlike a few years ago when I toured nearby Fame Studios (where the Swampers worked for Rick Hall before striking out on their own). The guide was a young ignoramus whom I tormented with corrections and questions. Sorry, but if I’m paying for a tour, the guide should know more about the place than I do.

Damn It Janet

The video won’t embed (SO ANNOYING), but this is a pretty cool little time capsule moment.

To my knowledge this is the only full interview that Tim Curry gave about his part in the Rocky Horror Picture Show. Recorded during the week that the film was released in 1975, he talks about his roll in the film and whether or not he would play the part again! The Interviewer is Mark Caldwell and the Interview Director is Colin Grimshaw. Clips were provided by Fox-Rank. Fox has (June 2012) reviewed and released any copyright claim on the film footage appearing in this video. The interview was shot in black and white (the film is in colour)!

I always forget how much ass this soundtrack kicks. Mark and I were in a college cover band that played “Sweet Transvestite.”

More Old Stuff

Paul Revere and The Raiders wore Minutemen uniforms, acted silly (a requirement following A Hard Day’s Night and Help), had a teen idol in singer Mark Lindsey, and perhaps suffered overexposure as the house band on the weekly pop music TV show, Happening ’68.  Earlier they were regulars on Dick Clark’s Where The Action Is, so they were all over television for a couple of years.  All that made them easy to dismiss later as tastes changed and bands were expected to dress more like hippies and act more seriously, or at least like they were on harder drugs.  That’s too bad.  They were a great band, and the proof is in the grooves. There’s the Stonesy song posted above.  Just Like Me ,  Steppin’ Out, and Hungry are among the best 60’s garage-rock songs.  Good Thing gets more sophisticated with the Beach Boys vocal bit in the bridge, but the blistering instrumental track takes no prisoners.  They earned their chops grinding it out in the Pacific Northwest club and teen-dance circuit, and you can hear it in Good Thing (no doubt some Raiders songs employed the Wrecking Crew, but this one sounds too unhinged to be the WC).  Kicks features an unforgettable twelve-string riff, and its chorus is a textbook on how to write and produce a simple, effective hook.  There’s nothing extraneous in that chorus, it just pounds in the hook.  It also pulls the amazing stunt of being a cool anti-drug song.  Does another even exist?

The Raiders ended up sort of like Max Baer post Beverly Hillbillies: once Jethro, always Jethro.  They did manage one hit with a new beards-and-blue-jeans look, but it wasn’t any good (it’s called Indian Reservation, if you really must). Just how the ball bounces.  This decade’s stars, next decade’s has-beens.

Don’t Make A Grown Man Cry

This video always makes me think of my childhood best friend’s little brother, who did a flawless Mick Jagger based entirely on the first 30 seconds.

Moreover, I will go to my grave insisting Tattoo You is a great album.