In the ’70s, martial arts legend Bruce Lee pitched a series to Warner Bros. called The Warrior — centered on a Chinese martial artist traveling across America’s Old West. Ultimately, Warner Bros. rejected Lee’s pitch because it didn’t think audiences would tune into a Chinese-led television show. However, one year later, Warner Bros. launched Kung Fu, casting a white male lead (David Carradine) with no kung fu experience in a story that resembled Lee’s initial pitch.
Welcome to hell—a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A. Where the worst Super-Villains are kept and where they will do anything to get out—even join the super-secret, super-shady Task Force X. Today’s do-or-die assignment? Assemble a collection of cons, including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin and everyone’s favorite psycho, Harley Quinn. Then arm them heavily and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission with only Colonel Rick Flag on the ground to make them behave…and Amanda Waller’s government techies in their ears, tracking their every movement. And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself). If anyone’s laying down bets, the smart money is against them—all of them.
Mrs. Renfield and I were discussing bad 70’s TV shows, and I suddenly remembered laughing my ass off at this episode of CHiPs, where Erik Estrada et al. turn their forensic skills on solving death threats against satanic rocker, “Moloch.” They don’t go to any trouble to hide their inspiration for Moloch, who apparently is so revered that he can get away with one-song concerts. This is even worse than I remember, and I post with deepest apologies.
My inner 7-year-old is pretty fired up for this one.
YouTube says March 26th but I think it got pushed to March 31st.
Legends collide in “Godzilla vs. Kong” as these mythic adversaries meet in a spectacular battle for the ages, with the fate of the world hanging in the balance. Kong and his protectors undertake a perilous journey to find his true home, and with them is Jia, a young orphaned girl with whom he has formed a unique and powerful bond. But they unexpectedly find themselves in the path of an enraged Godzilla, cutting a swath of destruction across the globe. The epic clash between the two titans—instigated by unseen forces—is only the beginning of the mystery that lies deep within the core of the Earth.
But this one seems to be hanging on by a thread (string?). Interesting stories associated with it, too.
Willie Nelson’s guitar, “Trigger,” is in for guitar repair at Erlewine Guitars in Austin, Texas. Mark Erlewine shares a closeup look at the famous hole in the top. Mark’s been Trigger’s caretaker for ages, and he gives us the inside scoop on Trigger’s history.
Makerbot recently posted a Terry Bozzio video. Here is further support for what research has proven time and again: that non-sociopathic drummers use their spare time to acquire too many drums, which they then overplay. In some ways the above video is a more disturbing example. For where Mr. Bozzio employed instruments in a range of pitches (therefore demonstrating some higher-order thinking), this character for some reason has about 50 of the same crash cymbal, and seems intent on hitting them all. A drummer with only basic skills could do the same thing with two. WTF?
In a just world, this guy should have been huge. I’ll be pre-ordering this shortly, the package which includes a 45 of the demo versions of “There She Goes” and “Walking Out On Love.”
After two long years of painstaking research and development, we present to you, the first major memoir covering the birth of DIY Power Pop, from Paul Collins. From it’s initial conception as a film script to it’s re-birth as a full-bore rock & roll revelation, this is one crazy story from beginning to end. Outlining the first National DIY cross-country tour by an unsigned band in 1977, and by default, creating the pathway for the true indie underground network of the 80s to take as a template. It wasn’t even a second thought for Collins and bandmates Peter Case and Jack Lee, but the underground rock & roll world is a better place for it. But until now, the real details of the origins of The Nerves, Breakaways, and The BEAT have eluded most of us, so with this tome of incredible survival stories from the trenches, Paul Collins opens up and reveals all the drama, victories and defeats with such an impassioned voice, you won’t be able to put it down. The coverage of the pre-Punk 1975 landscape of both LA and San Francisco is unmatched, and your mind will be BLOWN.
Featuring TONS of previously unseen photos, flyers and ephemera from the earliest days of The Nerves lineup as a FOUR PIECE, to the legal documents challenging The Paul Collins BEAT vs The English Beat, to the ill-fated Nerves reunion, and so much in between. Truly a smorgasbord of juicy details and revelatory discoveries await, balancing the failures with triumphs from the mid 1970s to the mid 2000s, when Paul returned to the touring circuit. From literally renting out a space for the first documented Punk show in Los Angeles in March of 1977, to The Screamers story about buying a copy of The Nerves EP at the Capitol Records swap meet and smashing it to pieces- it’s all in there, along with so many more soon-to-be-legendary tales from the real trenches you don’t usually rise out from unscathed….