Sagittarius/Ballroom/Millennium

The various 60’s projects of Curt Boettcher are an addiction I come back to every couple of years.  There’s a 30 minute Andrew Hickey episode on “My World Fell Down” that tells the full, ultimately sad story.  Here’s what I know: “My World Fell Down” was originally a flop single by the Ivy League, a British band.  Across the pond in LA, Gary Usher* thought it could be a hit, but he could find no takers.  So he got some studio musicians (a pre-fame Glen Campbell on verse lead vocals and Bruce Johnston on chorus lead vocals) to record it.  He pitched it to an A&R guy at Columbia who signed the “band.”  

But there was no band, which Usher didn’t mention.  Friend Curt Boettcher had a band called The Ballroom, mostly a studio project. Boettcher had made a name for himself by writing amazing vocal arrangements for the Association, among others. It’s his work you hear on their hits.  He was a Brian Wilson type (BW admired him and was likely influenced by him)  who spent many studio hours on a single song, which was unusual back then for anyone not named the Beatles or Brian Wilson. Anyway, Usher brought in Boettcher and the Ballroom to complete an excellent album which was released under the name Sagittarius.  Boettcher ended up dominating the project.  “My World Fell Down” and “Hotel Indiscreet” were released as singles.  The first did ok on the west coast but flopped nationally.  The other just flopped.  Both single versions had Musique Concrete sections that were edgy for the time.  

Boettcher’s next project was The Millennium.  They made one album, Begin, which is brilliant, a sunshine pop masterpiece with far less filler than the Sagittarius album.  At the time it was the most expensive album ever made due to CB’s obsessiveness. It flopped, so Columbia dropped them.  Perhaps it could have gone somewhere had they not been so studio obsessed, or maybe sunshine pop needed the novelty of a family group like the Cowsills to sell it.  I also wonder if the burgeoning acid rock scene up north in the Bay area rendered them passe.  I’m not sure about the timing, but tastes changed very rapidly back then, and vocal pop was getting to be old hat.

And maybe it still is.  Back when we were doing Music League, I posted a couple of the songs above, and they tanked.  But but give them a shot.  Some of it sounds twee, but the musical ideas are outstanding. I think all of the released music is available for streaming.  Word is, there’s strong work that’s never become available. Even the released music used to be very hard to find. “My World Fell Down” appeared on Nuggets, and Various CD releases of the Sagittarius and Millennium albums trickled out over the years, but a small box of all the Millennium sessions didn’t come out until 2021.  We’re in extreme cult territory here…

”Another Time” would have been perfect for The Carpenters.

*producer of the Byrds and Beach Boys, and best of all, the horror hot rod/surf album Dracula’s Deuce by the Ghouls, featuring such classics as “The Little Old Lady From Transylvania” and “Be True To Your Ghoul.”

I Love Shit Like This

I’ve been a David Shrigley fan for a while. In fact, I’m drinking coffee out of this as I type. Anyway, a few years ago he embarked on a new project that I found both hilarious and brilliant.

In 2017, a charity bookshop in Swansea, UK made headline news as a result of exhibiting several hundred copies of Dan Brown’s 2003 novel ‘The Da Vinci Code’ in its window with a sign requesting that no more copies of the book be donated as they had more than they could sell.

‘Pulped Fiction’ is a project by visual artist David Shrigley, who has produced a limited run of 1,250 copies of George Orwell’s dystopian novel ‘Nineteen Eighty-Four’ made entirely from the pulped remains of unwanted copies of ‘The Da Vinci Code’.

In 2023, Pulped Fiction was launched at the very charity shop in Swansea that started it all. 250 copies were available to buy at an exclusive price. After selling out within the first hour, and making headline news, the remaining copies are now available to buy.

Throughout the journey David and his studio team were documented by filmmaker Jay Bartlett. Telling the story of how the project came to be and the numerous hurdles faced along the way, the documentary can now be seen online for the first time here.

And if you’re interested in picking up one of the few copies left, it’ll set you back £1095. Cheap!

I Said Goddamn

Phenomenal Kinks cover from 15 (!) years ago, bonus points for Andy Stack’s double duty on drums and keys. I think Wye Oak is still around but they haven’t released a studio album since 2018. Anyway, YouTube reminded me I really like this and now I’m telling you bastards. (Yes, I’ve probably posted this before.)

An Artist’s Eye Is Evident

From the CBS Sunday Morning archives, here’s a really cool profile of Edward Gorey, which originally aired on April 20, 1997.

Mr. Gorey has been dead for 25 years!

Life in the Line

TB docuseries just dropped. You can only stream it online at the artist’s website for the low low price of $24.99. Not sure if it will eventually work its way to Netflix or Hulu. Four parts, 281 minutes, for the Burton completist.

Which is me. Keep you posted.

Looking For Something New To Watch?

From the ever-reliable Wikipedia

Pluribus (stylized as PLUR1BUS) is an upcoming science fiction drama television series created by Vince Gilligan for Apple TV+. The series stars Rhea Seehorn in the lead role. She previously worked with Gilligan on the AMC series Better Call Saul.

Apple has ordered two seasons of the series for Apple TV+, with the series expected to premiere two episodes on November 7, 2025, for a nine-episode first season.

Set in Albuquerque, New Mexico, the series follows an author who seems to be the only person immune to a new virus that turns its sufferers perpetually content and optimistic.

I’m in!

RIP Superlungs

Terry Reid famously turned down both Zep and Deep Purple.

Good story from Musicradar (the number 1 website for musicians, y’all):

“Keith asked me to support the Stones in the States, but then shortly afterward Jimmy wanted me to join his new band. I was torn. In the end, I put the ball in Jimmy’s court. I said: ‘You’d better speak to Keith and tell him I’m not going.’

“But Jimmy bottled it. He said: ‘I’m not having him shoot me in the fucking leg.’

I only have the River, but it’s a good one.

This Guy

My first post on the originale blogge was David Lynch. It seems fitting that I should comment on how he affected me, the central character of the universe.

I’ll spare you.

Someone asked me what Lynch I would be staying up late watching. I thought “probably none; his work is always spinning in my head anyway; it’s easy to call scenes to mind simply by thinking about them.”

[partial view of the home Lynch shelf]

Please note Lynch on Lynch on the far left, too worn to be legible anymore. I love his intuition and his thinking, the dream logic, the credit he seems to give to his audience for being as artistic as he is. And Alan Splet (sound engineer) and Angelo Badalementi. The struggle to find expression in images and sound when words just won’t do. An endless source of inspiration, fascination, humor, and wonder for me. A lot of great tributes out there, including Kyle MacLachlan and Defector.