Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his impressionable nephew will help make the teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.
Gary Oldman plays Herman J. Mankiewicz as he races to complete the first draft of the ”Citizen Kane” script. Along the way, Mankiewicz, known throughout Hollywood as a charming but deeply cynical alcoholic, locks horns with Orson Welles over nearly every element of the film’s story. That feud that would continue beyond the film’s release as Mankiewicz believed Welles was trying to take credit for his work and spent the rest of his life resenting him for it.
”Mank” is more than 20 years in the making, as David Fincher’s father, Howard ”Jack” Fincher, wrote the screenplay back in the late 1990s. He passed away in 2003. The film marks Fincher’s return to feature filmmaking for the first time since his 2014 Oscar-nominated film ”Gone Girl,” having spent the last six years working on Netflix series like ”House of Cards” and ”Mindhunter.”
Not sure what the quota is for remakes (at least #4, I think) but this looks fun. I rarely watch 1983 Dune, because Lynch has such distaste for it, but I caught the first 30 minutes the other day, and thought those sequences were amazing.
Just started reading No Country for Old Men last night, and somehow stumbled onto this video while eating breakfast. It’s a script-to-screen comparison of THAT scene. Brilliantly written, adapted, directed, acted, costumed, lit, shot, edited. It all has to be there for it to work this effectively.
Best YouTube comment regarding Chigurh’s motivation for the coin toss …
I think he would be fine with it either way. The way he sees it, it’s just. The coin makes the decision not him. If the coin says heads then he should be pitied, a worthless peasant able to finish out his life. If its tails, he should be despised for his weakness, a waste, and removed from the earth. Chigurh understands this, that he is both, and the coin simply dictates the action to be taken. So it doesn’t matter either way. There’s always a reason to kill him and there’s always a reason to spare him. So the coin will sort it out.
I’ve seen The Thing probably 30 times. Just watched it again the other night as a matter of fact, and it never occurred to me before that Childs-Thing tips his hand at the very end when MacReady offers him a drink AND HE TAKES IT. Carpenter even telegraphs this early in the film by having MacReady pour his J&B into the computer for cheating. My mind is blown.