Do yourself a favor: put on your best headphones and listen to all eight videos, either one at a time or all at once. You won’t regret it.
Sagittarius/Ballroom/Millennium
The various 60’s projects of Curt Boettcher are an addiction I come back to every couple of years. There’s a 30 minute Andrew Hickey episode on “My World Fell Down” that tells the full, ultimately sad story. Here’s what I know: “My World Fell Down” was originally a flop single by the Ivy League, a British band. Across the pond in LA, Gary Usher* thought it could be a hit, but he could find no takers. So he got some studio musicians (a pre-fame Glen Campbell on verse lead vocals and Bruce Johnston on chorus lead vocals) to record it. He pitched it to an A&R guy at Columbia who signed the “band.”
But there was no band, which Usher didn’t mention. Friend Curt Boettcher had a band called The Ballroom, mostly a studio project. Boettcher had made a name for himself by writing amazing vocal arrangements for the Association, among others. It’s his work you hear on their hits. He was a Brian Wilson type (BW admired him and was likely influenced by him) who spent many studio hours on a single song, which was unusual back then for anyone not named the Beatles or Brian Wilson. Anyway, Usher brought in Boettcher and the Ballroom to complete an excellent album which was released under the name Sagittarius. Boettcher ended up dominating the project. “My World Fell Down” and “Hotel Indiscreet” were released as singles. The first did ok on the west coast but flopped nationally. The other just flopped. Both single versions had Musique Concrete sections that were edgy for the time.
Boettcher’s next project was The Millennium. They made one album, Begin, which is brilliant, a sunshine pop masterpiece with far less filler than the Sagittarius album. At the time it was the most expensive album ever made due to CB’s obsessiveness. It flopped, so Columbia dropped them. Perhaps it could have gone somewhere had they not been so studio obsessed, or maybe sunshine pop needed the novelty of a family group like the Cowsills to sell it. I also wonder if the burgeoning acid rock scene up north in the Bay area rendered them passe. I’m not sure about the timing, but tastes changed very rapidly back then, and vocal pop was getting to be old hat.
And maybe it still is. Back when we were doing Music League, I posted a couple of the songs above, and they tanked. But but give them a shot. Some of it sounds twee, but the musical ideas are outstanding. I think all of the released music is available for streaming. Word is, there’s strong work that’s never become available. Even the released music used to be very hard to find. “My World Fell Down” appeared on Nuggets, and Various CD releases of the Sagittarius and Millennium albums trickled out over the years, but a small box of all the Millennium sessions didn’t come out until 2021. We’re in extreme cult territory here…
”Another Time” would have been perfect for The Carpenters.
*producer of the Byrds and Beach Boys, and best of all, the horror hot rod/surf album Dracula’s Deuce by the Ghouls, featuring such classics as “The Little Old Lady From Transylvania” and “Be True To Your Ghoul.”
Hell is Banjos
Survey of the Bastardate: what instrument would the Evil One choose to torment you for eternity?
This Is Cool
Yeah, I’m a dork.
Pedagogy
Who needs drugs?
How Did I Miss This?
Smoking Popes album from 2018 with the original lineup! Tuck in, you filthy bastards!
Cutting Edge Technology
Clear, precise instruction!
Pop-Punk Candy
Mrs. Renfield put me on to this sugar rush of an album (really more like a longish EP). Many tracks are one-idea songs, but who cares when the hook’s good and they don’t belabor the idea: all but one are under two minutes. It so happens this band/person/whatever played Gonerfest last week, although it was an afternoon slot on a 90-degree-plus day, so can’t say I’m sorry I missed them. But this stuff hits my sweet spot. Good hooks throughout. Here’s another:
The Smoke
The Smoke seemed destined to be the greatest British band of the 60’s. Read on for their sad tale of record industry greed, radio station indifference, distribution mishaps, managerial exploitation, personal tragedy, substance abuse, mental instability, and an apathetic, capricious and philistine public…
Just kidding! They seem to be a classic 60’s case of one-hit wonders. I’d never heard this song until it popped up in my YouTube feed the other day. It became a big hit in Germany in ’67 (the year I moved, so I never heard it), but in England its progress up the charts was knee-capped by the BBC for drug references (the BBC did such a great job keeping young Brits off drugs). The most remarkable thing about this band is that not one of them did anything noteworthy before or after this song. Usually when you look into British bands with a hit during this period, you’ll find that at least one or two of them before or after played with someone you’ve heard of. But not these guys. Anyway, it’s a pretty good song and worth hearing.
