Sagittarius/Ballroom/Millennium

The various 60’s projects of Curt Boettcher are an addiction I come back to every couple of years.  There’s a 30 minute Andrew Hickey episode on “My World Fell Down” that tells the full, ultimately sad story.  Here’s what I know: “My World Fell Down” was originally a flop single by the Ivy League, a British band.  Across the pond in LA, Gary Usher* thought it could be a hit, but he could find no takers.  So he got some studio musicians (a pre-fame Glen Campbell on verse lead vocals and Bruce Johnston on chorus lead vocals) to record it.  He pitched it to an A&R guy at Columbia who signed the “band.”  

But there was no band, which Usher didn’t mention.  Friend Curt Boettcher had a band called The Ballroom, mostly a studio project. Boettcher had made a name for himself by writing amazing vocal arrangements for the Association, among others. It’s his work you hear on their hits.  He was a Brian Wilson type (BW admired him and was likely influenced by him)  who spent many studio hours on a single song, which was unusual back then for anyone not named the Beatles or Brian Wilson. Anyway, Usher brought in Boettcher and the Ballroom to complete an excellent album which was released under the name Sagittarius.  Boettcher ended up dominating the project.  “My World Fell Down” and “Hotel Indiscreet” were released as singles.  The first did ok on the west coast but flopped nationally.  The other just flopped.  Both single versions had Musique Concrete sections that were edgy for the time.  

Boettcher’s next project was The Millennium.  They made one album, Begin, which is brilliant, a sunshine pop masterpiece with far less filler than the Sagittarius album.  At the time it was the most expensive album ever made due to CB’s obsessiveness. It flopped, so Columbia dropped them.  Perhaps it could have gone somewhere had they not been so studio obsessed, or maybe sunshine pop needed the novelty of a family group like the Cowsills to sell it.  I also wonder if the burgeoning acid rock scene up north in the Bay area rendered them passe.  I’m not sure about the timing, but tastes changed very rapidly back then, and vocal pop was getting to be old hat.

And maybe it still is.  Back when we were doing Music League, I posted a couple of the songs above, and they tanked.  But but give them a shot.  Some of it sounds twee, but the musical ideas are outstanding. I think all of the released music is available for streaming.  Word is, there’s strong work that’s never become available. Even the released music used to be very hard to find. “My World Fell Down” appeared on Nuggets, and Various CD releases of the Sagittarius and Millennium albums trickled out over the years, but a small box of all the Millennium sessions didn’t come out until 2021.  We’re in extreme cult territory here…

”Another Time” would have been perfect for The Carpenters.

*producer of the Byrds and Beach Boys, and best of all, the horror hot rod/surf album Dracula’s Deuce by the Ghouls, featuring such classics as “The Little Old Lady From Transylvania” and “Be True To Your Ghoul.”

Sludgefest

A few years ago, a Canadian musician slowed down a few Chipmunks songs to 16 RPM, and it’s kind of awesome. The singing is pretty good, and at that speed, it’s all gothy and moody. Like you have anything better to do today.

0:00 Call Me
6:12 Walk Like An Egyptian
13:00 Heaven Is A Place On Earth
20:58 Diamond Dolls
27:17 You Keep Me Hanging On
35:28 My Sharona
43:25 Always On My Mind
50:13 Refugee

Something Fishy

Turns out Endless Shrimp was more than a lousy idea; there may have been shrimp-supply chicanery involved.  But the attraction here is Patrick Boyle, who gets the comedy of business like no one else.

The Internet’s Inevitable Enshittification

How platforms decay, as explained by Cory Doctorow to NPR. Finally a name for what we may not consciously recognize but deep down know is going on.

… I think Facebook’s a good example. Facebook went through the whole lifecycle of platform decay. They started off by offering a really good deal to their end users. They said, “Hey, leave MySpace, come to Facebook. It’s just like MySpace, except we only show you the things that you asked to see, and we’ll never spy on you.”

And then once those users were locked in — because once you’re in a place with all of your friends, it’s really hard to leave — they started to take away some of that good stuff they gave them, and they handed it to advertisers and publishers.

To the advertisers, they said, “We were lying when we said we weren’t going to spy on these guys. We’re totally spying on them. Here’s all the data you need to target them for ads that we’re not going to charge you much money for.”

And to the publishers, they said, “We are also lying when we said we’d only show them the stuff they asked to see.”

And then once the publishers and the advertisers were locked in, well, they took away those surpluses. The ads got more expensive. Publishers had to put more and more of their content — not just to get recommended, but even to be shown to the people who subscribed them. And that’s the final stage, the stage where there’s just only the residual value left on the platform that the platform owner thinks will keep the users and the business customers they bring in stuck to the platform. And that’s when we’re at the beginning of the end.

Further reading.

Experimental Matrimony

Ah, the emptiness of modern comforts…

Can a song be both great and ridiculous?  Fifty years on, I’m still wondering.  But I still love this and almost everything from Roxy’s first five albums.

How To Spot A Deepfake

All you got to do is watch, with your ears.

At the encouragement of Fakerbot, I listened to several of the AI-songs out there before they all got yanked after a couple of days. But some of them are back up!

Hearing early Beach Boys”I Get Around” era Brian Wilson falsetto on “Be My Baby” – the song that drove his entire professional career – is sublime. Listen before they take it down again.

I also heard some pretty bad AI Nirvana.
The best of the lot is definitely Elvis singing Iggy Pop.
You can’t even tell it’s simulated!

Oh No Crypto Bro

I’ve followed this story with some delight. Apparently Michael Lewis, who wrote The Big Short, has been trailing FTX guy Sam Bankman-Fried around, so we’ll certainly get a kick-ass film out of it someday. Among many, many remarkable facets to the tale is that the crypto market has supposedly lost $2 trillion of valuation this year… and Wall Street has barely flinched.
When Sequoia Capital – allegedly the most intelligent venture capital firm – invested $210 million in FTX last year, it asked to see financial reports and instead was told “we’ll send you a few bullet points.” It’s traditional when investing that much into a firm to have someone on the board, but Bankman-Fried wouldn’t let anyone on the board of directors, which was him, an attorney, and an FTX employee.
For a company “worth” $32 billion at one point.

Zero oversight! What could go wrong?

I’ve followed developing news with Patrick Redford of Defector, who is typically hilarious. But there are several excellent reporters and twitter feeds. Ed Zitron on Twitter is great.

Here, a professor of finance at King’s College splains it to us. He keeps showing photos of Phil Spector for Sam Bankman-Fried, so gotta respect his game:

It’s an exciting time to be in the crypto world.

Dear Mr. Brody

I’ve been watching this and it’s pretty fantastic. Via Amazon Prime Discovery trial, which I will cancel when finished. The producer who had all the letters in storage boxes was Edward Pressman – who produced Phantom of the Paradise. Have you guys ever seen that?

I’m Not Your Crypto Tool You Tool

Hopefully no one here watches the sportsballs, as recently you would have seen this ad ad nauseum.

Periodically I enjoy trying to make sense of speculative digital currency, most of it not even underpinned by scarcity. It makes my brain hurt.
Bitcoin, Ethereum, NFT – sounds like electronica I’m too old to fathom.

And apparently it’s terrible for the environment: a single Bitcoin transaction consumes the same amount of power that an average American home uses in a month.

Twitter, please roast this clown:

I can just not stop laughing that Matt Damon’s pitch for crypto is “Be like a brave explorer, invest your life savings in crypto.”

This commercial where Matt Damon compares buying $5 in ElonAssCoin to the Wright Brothers inventing flight or astronauts exploring space really hypes me up!