But this one seems to be hanging on by a thread (string?). Interesting stories associated with it, too.
Willie Nelson’s guitar, “Trigger,” is in for guitar repair at Erlewine Guitars in Austin, Texas. Mark Erlewine shares a closeup look at the famous hole in the top. Mark’s been Trigger’s caretaker for ages, and he gives us the inside scoop on Trigger’s history.
This might be my favorite Pretenders song. Never seen that intro before, though. That’s great! Honeyman-Scott said that his solo is an homage to his three favorite guitarists, but I can’t remember which parts are who.
I do feel a tad guilty knowing now that Chrissie Hynde is addressing her sexual assault by a biker gang. One of her assailants apparently said, “Shut up or you’re going to make some plastic surgeon rich,” which of course made it into the song. (In her book, she says it was totally her fault and she sort of knew what she was getting into. But still.) The audio on this version is shit, so here’s the 2006 remaster …
The mid-twenty joys
Around a heart that’s black and blue
Tattooed love boys
I tore my knees up getting to you
‘Cause I needed
To find out what the thing was for
Man, the time came to explore
I went apewire
‘Cause I thought
Like I’d like it
But I didn’t mean it
But you mess with the goods, doll
Honey, you gotta pay
A good time
Was guaranteed for one and all
Target practice in the hall
For their number to get called out
I, I, I, I found out what the wait was about
I was a good time
Yeah, I got pretty good
At changing tires
I shot my mouth off and you showed me what that hole was for
Now I see you
All impressed and half undressed
You got paint stick
All over the scars and lumps and bumps
Tattooed love boys
Have got you where I used to lay
Well, ha ha and too bad
But you know what they say
You’re gonna make some plastic surgeon a rich man”
Oh, but the prestige and the glory
Another human interest story
You are that
Bob and the boys release their 31st (? maybe, who knows? how do you count?) and second album of 2020
f you’ve worn all those out, the band has also announced a fan club of sorts called Hot Freaks (what else?) that will give you access to unreleased content, rarities and other stuff. Let us know how it is, Monkeystador.
So I was listening to the latest episode of the My Favorite Album podcast yesterday. David Cross was the guest, and instead of choosing his actual favorite album (Quadrophenia), he chose something obscure that he listened to a lot, lamenting that it had been out of print for years and wasn’t even available to stream.
Nothing piques my lizard brain’s interest like scarcity, so when podcast host Jeremy Dylan mentioned that someone had been nice enough to upload it to YouTube, I dove into that dumpster with glee. And found it.
Live Totem Pole is an odd EP. It’s live, for one thing. But the really odd part is that five of the seven songs are covers, including those by Blue Öyster Cult, Public Enemy, Butthole Surfers, Superchunk, and Wire. BUT HOLY SHIT, IT WORKS. And the way it was recorded makes you feel like you’re in the room.
I downloaded the audio from the YouTube videos and packed it up like an album. Right click the cover up top if you’re so inclined …
I listened to fIREHOSE in college, especially fROMOHIO and Flyin’ the Flannel. Anybody unfamiliar with these guys should check out their fascinating origin story on Wiki-wiki-wikipedia.
I never realized what a world unto itself sourdough was. First part of a documentary above, and a good article on the world sourdough library here.
All modern recipes begin with a starter, basically a flour-and-water slurry colonized by bacteria and wild, airborne yeasts that eat, breed and exhale carbon dioxide, which helps the bread rise. The tangy taste and brightly acidic smell derive from lactobacilli, cousins of the bacteria that curdle milk into cheese and yogurt. Starters are bespoke to the environments in which they were created; no two sourdoughs taste exactly alike.
As near as I can tell, Jiskefet was a Dutch sketch comedy show that came and went for 16 seasons between 1990 and 2010. Here’s their take on how British sports appear (and sound) to the rest of the world.