I think he wrote a song for a certain Bastard’s birthday.
There are so many scenes I’ll probably never get tired of.
A childhood fave that I still annoy my familiy by singing. Why can no one make funny commercials any more? I know, I’m old, blah bah.
I hate the songs of Jimmy Webb. He won a jillion Grammy’s, and he’s regularly named as a great songwriter by people who really should know better (Bruce Springteen and some others). At his best, his songs are merely annoying, melodically vapid, and oozing with gooey sentimentality (his songs for Glen Campbell: Galveston, Wichita Lineman, By the Time I Get To Phoenix). At his worst, they are also pretentious (McArthur Park) and stupid beyond all description (Up, Up and Away, McArthur Park again). I once played Richard Harris’s original hit version of McArthur Park to my older son, who was certain I was playing him a comedy record. If you’re so inclined, above you can watch him perform what could be the worst song ever written with such bone-headed earnestness that you may find yourself wanting Anton Chigurh to walk up and do his captive bolt stunner thing on him. I didn’t even make it to the infamous “cake out in the rain” part (surely the dumbest metaphor ever devised). In a way it’s funny, but mostly not. My question to you bastards: am I incorrect? If any of you are Jimmy Webb fans, can you clue me in as to what’s good about him? Did he write some hidden gems I’ve never heard? Because based on his biggest hits, I don’t get his reputation as one of the greats at all.
What’s not to love?
High Score is a documentary series about the golden age of video games, when legends – from Pac-Man to Doom – were brought to life. Through ingenuity and sheer force of will, computer pioneers and visionary artists from around the globe spawned the iconic worlds of Space Invaders, Final Fantasy, Street Fighter II, Mortal Kombat, Sonic the Hedgehog, MADDEN NFL, and beyond. Without rules or roadmaps, players and innovators alike pushed the limits of money to be made, rivals to be crushed, and hearts to be won. This is the story of the brains behind the pixels and how their unmatched innovation built a multi-billion dollar industry – almost by accident. High Score premieres on Netflix on August 19, 2020.
I completely missed this one when it aired. I don’t remember hearing about it at all. A little sad, by ’79 the Ramones should have been too big for the Sha Na Na show.
But I did happen to be watching the tube in ’68 when psychedelic proto-punks The Seeds (as The Warts) mimed their biggest hit, the classic pushy-girlfriend-fuck-off song, “Pushin’ to Hard” on a now-forgotten sitcom called The Mothers-in-Law. I bought the album soon after. Oddly enough, that album had been released two years earlier, and they’d released another since, but they were still pushin’ this song on TV. The second verse and guitar break were edited out.
Speaking of The Small Faces, here’s their take on Muddy Waters’ “You Need Love.” You’ll note that Robert Plant, who used to run errands for The Small Faces, later put this to use in “Whole Lotta Love.” Some music nerds give themselves wedgies over all this, but you’ve gotta concede that Jimmy Page improved it by adding one of the all-time greatest rock riffs. Fun Fact: when JP was forming what would become Led Zeppelin, Steve Marriott was high on his list of singers until The Small Faces’ manager threatened to break his hands.
By the way, below is the single version of “Whole Lotta Love” which cut out the free-form middle section of bongos, theremin, and Robert Plant gearing up for a sneeze that never comes. Atlantic did originally put out the whole song as a single, but radio stations would create their own versions without the middle part. Atlantic responded by re-releasing its own edited single over the objections of the band. So if you didn’t own the lp and listened to AM radio, this is what you usually heard:
Another Strong Bad email.
For Halloween, here’s my favorite comedy band’s take on Monster Mash. Special appearance by Liberace as Dracula’s son at 1:26.
Old, but still funny. Good song at the end.