Just started reading No Country for Old Men last night, and somehow stumbled onto this video while eating breakfast. It’s a script-to-screen comparison of THAT scene. Brilliantly written, adapted, directed, acted, costumed, lit, shot, edited. It all has to be there for it to work this effectively.
Best YouTube comment regarding Chigurh’s motivation for the coin toss …
I think he would be fine with it either way. The way he sees it, it’s just. The coin makes the decision not him. If the coin says heads then he should be pitied, a worthless peasant able to finish out his life. If its tails, he should be despised for his weakness, a waste, and removed from the earth. Chigurh understands this, that he is both, and the coin simply dictates the action to be taken. So it doesn’t matter either way. There’s always a reason to kill him and there’s always a reason to spare him. So the coin will sort it out.
Coming August 14, a documentary about the creation and influence of Ren & Stimpy! SPOILER ALERT: Here’s another one of those instances where you must appreciate the art but hate the artist. From Gizmodo …
Directors Ron Cicero and Kimo Easterwood promise an honest and direct look at what Kricfalusi brought to the world of animation as well as what he took away from it, with reports of failing to deliver episodes on time and fostering a hostile work environment. According to the documentary description, it will also address the allegations of sexual misconduct. They were first brought to light in 2018 by Buzzfeed, and included an admission that Kricfalusi had engaged in a relationship with a 16-year-old girl. It’s clear from the trailer that the folks who worked on Ren & Stimpy have great respect for the show and how it’s influenced the world of animation, but that it’s hard to rectify that with the knowledge that the person who created it was responsible for so much pain and suffering.
When a scammer connected to my PC, I was able to reverse their connection and discover that they had CCTV. You’re going to see the most detailed exposé of a tech support scam ever seen on YouTube. The company were called Faremart.com – A travel agency in Delhi who use their buildings and VOIP telephony to run various scams. They are one of hundreds of scam call centres in India and this one group will make over $3 million per year with scams.
Compared to most of Kubrick’s other films, A Clockwork Orange was down and dirty, shot on the cheap. Here are actual locations and a few other goodies. This YouTuber really does his research.
How do you make a futuristic sci-fi movie without building a bunch of crazy sets? In this episode, we take a look at the real futuristic locations and artwork that Stanley Kubrick used for the production design of 1971’s A Clockwork Orange as well as some of the new technology Kubrick used in shooting and recording sound on-location.
Say what you want about Sid being a shit bassist, he would have made a fucking great front man. Just look at him! And give the RUGGED MAN SONG OF THE WEEK™ a play over there while you’re at it. Horrible live recording, but he had the goods as a rock vocalist.
EDIT: Here it is again, for archiving purposes.
According to ancient punk lore, he actually came very close to fronting a band. Twice. The Damned asked him to audition when they were first getting together. Sneaky Dave Vanian had other plans, and sabotaged the rehearsal so he could try out first. Seems Vanian (or an associate) told Sid the band had canceled at the last minute, while Captain Sensible and the boys just assumed Sid no-showed.
Then one day, Malcolm McLaren and Vivienne Westwood were discussing who would make a good lead singer for this new band Malcolm was going to manage. Vivienne suggested one of the Johns who hung around the shop all the time, because he had a great look. Malcolm assumed she meant John Lydon; she really meant John Ritchie – AKA John Beverly, AKA Sid Vicious.
Would the Pistols have had the same impact without Lydon’s brilliant, confrontational lyrics? Arguably not. Still …
BONUS: Here’s an interview Judy Vermorel conducted with Sid for her book, Sex Pistols: The Inside Story. Like most 20-year-olds, Mr. Vicious is in turns insightful and moronic.