Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his impressionable nephew will help make the teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.
For your Friday distraction, here’s a fascinating oral history on possibly the greatest Sopranos episode ever, which aired 20 years ago today.
Two mobsters chase a seemingly invincible man through the South Jersey forest. Then he vanishes, leaving only a trail of blood. As day turns into night and cold turns into much colder, the gangsters give up their search and go into survival mode. They bond, bicker, and threaten each other, until they’re finally rescued in the light of the next morning.
James Austin Johnson is a comedian and actor from Tennessee. After coming up on the evangelical Christian comedy circuit, he moved to L.A. to try to make it in the mainstream.
”Whenever I ramble in that Trump voice, I’m hoping to just sort of subtly illustrate, like, this guy just has no idea what he’s talking about. He just talks out of his ass and he’s pure Americana. He is confidence without substance. He gives voice to that angry confidence and he doesn’t have to be right. So, you know, whether or not my takes about Scooby Doo are correct or not, that’s besides the point.”
Just started reading No Country for Old Men last night, and somehow stumbled onto this video while eating breakfast. It’s a script-to-screen comparison of THAT scene. Brilliantly written, adapted, directed, acted, costumed, lit, shot, edited. It all has to be there for it to work this effectively.
Best YouTube comment regarding Chigurh’s motivation for the coin toss …
I think he would be fine with it either way. The way he sees it, it’s just. The coin makes the decision not him. If the coin says heads then he should be pitied, a worthless peasant able to finish out his life. If its tails, he should be despised for his weakness, a waste, and removed from the earth. Chigurh understands this, that he is both, and the coin simply dictates the action to be taken. So it doesn’t matter either way. There’s always a reason to kill him and there’s always a reason to spare him. So the coin will sort it out.
Coming August 14, a documentary about the creation and influence of Ren & Stimpy! SPOILER ALERT: Here’s another one of those instances where you must appreciate the art but hate the artist. From Gizmodo …
Directors Ron Cicero and Kimo Easterwood promise an honest and direct look at what Kricfalusi brought to the world of animation as well as what he took away from it, with reports of failing to deliver episodes on time and fostering a hostile work environment. According to the documentary description, it will also address the allegations of sexual misconduct. They were first brought to light in 2018 by Buzzfeed, and included an admission that Kricfalusi had engaged in a relationship with a 16-year-old girl. It’s clear from the trailer that the folks who worked on Ren & Stimpy have great respect for the show and how it’s influenced the world of animation, but that it’s hard to rectify that with the knowledge that the person who created it was responsible for so much pain and suffering.
When a scammer connected to my PC, I was able to reverse their connection and discover that they had CCTV. You’re going to see the most detailed exposé of a tech support scam ever seen on YouTube. The company were called Faremart.com – A travel agency in Delhi who use their buildings and VOIP telephony to run various scams. They are one of hundreds of scam call centres in India and this one group will make over $3 million per year with scams.
Compared to most of Kubrick’s other films, A Clockwork Orange was down and dirty, shot on the cheap. Here are actual locations and a few other goodies. This YouTuber really does his research.
How do you make a futuristic sci-fi movie without building a bunch of crazy sets? In this episode, we take a look at the real futuristic locations and artwork that Stanley Kubrick used for the production design of 1971’s A Clockwork Orange as well as some of the new technology Kubrick used in shooting and recording sound on-location.