Did you bastards know there’s an official Midnight Specialchannel on YouTube releasing entire unedited episodes (as well as clips)? Holy shit, it’s a treasure trove!
Timestamped performances for this episode are here. I mostly just watched Sly and the Family Stone, obviously.
BONUS: Here’s another recently released episode with Mott the Hoople and The New York Dolls. Not sure who the guy is in the back playing the Thunderbird for the Dolls. Arthur Kane appears to be in a cast and is obviously miming …
How platforms decay, as explained by Cory Doctorow to NPR. Finally a name for what we may not consciously recognize but deep down know is going on.
… I think Facebook’s a good example. Facebook went through the whole lifecycle of platform decay. They started off by offering a really good deal to their end users. They said, “Hey, leave MySpace, come to Facebook. It’s just like MySpace, except we only show you the things that you asked to see, and we’ll never spy on you.”
And then once those users were locked in — because once you’re in a place with all of your friends, it’s really hard to leave — they started to take away some of that good stuff they gave them, and they handed it to advertisers and publishers.
To the advertisers, they said, “We were lying when we said we weren’t going to spy on these guys. We’re totally spying on them. Here’s all the data you need to target them for ads that we’re not going to charge you much money for.”
And to the publishers, they said, “We are also lying when we said we’d only show them the stuff they asked to see.”
And then once the publishers and the advertisers were locked in, well, they took away those surpluses. The ads got more expensive. Publishers had to put more and more of their content — not just to get recommended, but even to be shown to the people who subscribed them. And that’s the final stage, the stage where there’s just only the residual value left on the platform that the platform owner thinks will keep the users and the business customers they bring in stuck to the platform. And that’s when we’re at the beginning of the end.
This live Schoolhouse Rock cuts out after a minute or so, sorry.
Jack Sheldon provided that perfect railcar voice (suck it, Boxcar Willie), and opened for Lenny Bruce, and played trumpet for jazz artists of the 1950’s and eventually Merv Griffin.
DNA analysis has progressed to the point where even old samples of hair can now be reliably used to obtain genetic and biological information. Over the years, at least eight different locks of hair were said to belong to Beethoven. Researchers collected and analyzed them recently, and published the results in Current Biology.
The most famous lock of his hair – the subject of a book, a documentary, and the one whose lead levels suggested lead poisoning – turned out to belong to a woman. But five of the other samples matched each other, two of which had excellent chain of custody indicating that they were likely from Beethoven.
As LBR’s Assistant (to the) Regional Genealogist, I was all over a fascinating article published yesterday, describing the sleuthing and results. Specifically:
Beethoven was not a Beethoven. Modern day families in Belgium and Austria trace their Beethoven lineage to an ancestor named Aert van Beethoven. This was Ludwig’s great-grandfather, seven generations back. Ludwig shared no DNA with those other members of the Beethoven family!
Somewhere between Aert and Ludwig, a renegade baby daddy got involved. If this is like a lot of other family trees, someday we’ll find out the true genetic line, as more and more people get testing done.
The hair showed Hepatitis B DNA, which may have explained Beethoven’s cirrhosis, as Hepatitis B can lead to chronic hepatitis in a significant number of people.
No obvious cause or predisposition for his deafness or gastrointestinal maladies was uncovered. The DNA testing has its limitations, of course, but at least sheds some light on popular areas of speculation regarding Beethoven’s health.
Though Segovia’s classical influence is often proffered to explain her skill, Charo has a highly original style that weds intimate, lyrical classical melodies with the rhythmic flourishes of the flamenco tradition and spikes it all with a pop sensibility.
“She is a great guitar player,” said Kim Perlak, the chair of the guitar department at the Berklee College of Music. Citing her command of techniques like classical tremolo and flamenco scales, she added, “You have to practice that all the time to get to be that fluent, especially if you want it to be intuitive the way she does it.”
I only knew her as the “cuchi-cuchi” woman from Love Boat. Check out this fascinating article on María Rosario Pilar Martínez Molina Baeza, her childhood in Francoist Spain and Segovia’s academy, to New York, Las Vegas, American 70’s and 80’s television, and beyond.
The narrator from the Gibson mini-doc sounds like the voice we all must have heard on half a billion educational videos. Who is that guy? Is it the same person narrating the above (always timely) video on maintaining classroom discipline? It’s twenty years before the Gibson video.
Heard this on First Wave the other day and realized I never knew the words to this Fables of the Reconstruction classic. So here they are, the lyrics to which you also probably mumbled along back in the mid-Eighties.
When the world is a monster
Bad to swallow you whole
Kick the clay that holds the teeth in
Throw your trolls out the door
If you’re needing inspiration
Philomath is where I go by dawn
Lawyer Jeff, he knows the lowdown
He’s mighty bad to visit home
(I’ve been there, I know the way)
Can’t get there from here
(I’ve been there, I know the way)
Can’t get there from here
(I’ve been there, I know the way)
Can’t get there from here
(I’ve been there, I know the way)
When your hands are feeling empty
Stick head jumping off the ground, ground
Tris is sure to shirr the deer out
Brother Ray can sing my song
CHORUS
Hands down, Calechee bound
Landlocked, kiss the ground
Dirt of seven continents going ’round and ’round
Go on ahead, Mr. Citywide, hypnotized, suit-and-tied
Gentlemen, testify
If your world is a monster
Bad to swallow you whole
Philomath, they know the lowdown
Throw your trolls out the door
