Ooh! Ooh!

Any of you bastards ever see Moon? (AKA the tiny, old-school-sci-fi movie that David Bowie’s son directed.) Can’t believe it came out 10 years ago, but then, I can’t believe I’m 50. Go figure.

Moon is on Netflix at the moment, and well worth a look. It’s best to go in cold though, so don’t watch trailers or read spoilerish reviews. It’s so beloved that a book is coming out later this year to commemorate its 10-year anniversary. Check it out …

Titan Books and Liberty Films are delighted to announce the publication of Making Moon to coincide with the 10th anniversary of Moon’s initial release, as well as the 50th anniversary of the Apollo 11 moon landing. Director Duncan Jones’ feature film debut, Moon won the BAFTA for Outstanding Debut by a British Writer, Director or Producer, along with numerous film critic and film festival awards. Moon was also nominated for the BAFTA for Best British Film and the Saturn Award for Best Science Fiction Film in 2009.

Directed by Duncan Jones, and written by Nathan Parker from a story by Jones, Moon is a 2009 science fiction drama following Sam Bell (Oscar®-winner Sam Rockwell), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the moon. Independently financed and produced on a modest budget, Moon became an instant cult classic. It was well received by critics and audiences alike, and was particularly praised for its scientific plausibility and realism.

Set to publish on 3 September 2019, Making Moon will take an in-depth look back at the film’s production. It features interviews with the film’s key creatives and includes rare concept and behind-the-scenes images, as well as excerpts from the original shooting script.

What If Superman Was An Asshole?

This is getting a lot of buzz over at Birth.Movies.Death.

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? With Brightburn, the visionary filmmaker of Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.

May 24!

Hail Satan!

I’ve heard good things about this.

Chronicling the extraordinary rise of one of the most colorful and controversial religious movements in American history, Hail Satan? is an inspiring and entertaining new feature documentary from acclaimed director Penny Lane (Nuts!, Our Nixon). When media-savvy members of the Satanic Temple organize a series of public actions designed to advocate for religious freedom and challenge corrupt authority, they prove that with little more than a clever idea, a mischievous sense of humor, and a few rebellious friends, you can speak truth to power in some truly profound ways. As charming and funny as it is thought-provoking, Hail Satan? offers a timely look at a group of often misunderstood outsiders whose unwavering commitment to social and political justice has empowered thousands of people around the world.

That Thing I Say About Talented People? Still True

I should probably explain that Westworld is one of my all time favorite sci-fi movies, at least from the Seventies. It inspired The Terminator (and most likely Halloween) and was the first film to reference computer viruses, if I’m not mistaken.

Behold, Westworld’s Gunslinger … as portrayed by the great Yul Brynner. At Monsterpalooza, we chat with sculptor Nick Marra about his amazing portrait of the character. This silicone sculpture not only captures Brynner’s likeness, but is mechanized to reveal his true robot face in spectacular fashion. Draw!

The British Masters

Simonon seems like a good egg.

After Mark E Smith, Goldie, Liam Gallagher and John Lydon, Paul Simonon of The Clash joins host John Doran to be inducted as a British Master.

Originally known as the bass player in The Clash, a lifelong artist and style obsessive, Paul was one of the key architects of the aesthetics of punk. His obsession with dub and reggae helped broaden the sound of The Clash gloriously. We spoke to him in Damon Albarn’s West London Studio, where they were rehearsing for their upcoming tour as one half of The Good, The Bad & The Queen.

This One’s For Me

But of course, you’re more than welcome to take a look. It’s a new documentary about my all-time favorite PC game(s).

What happens when one of the most revolutionary series in video games suddenly goes dark? To celebrate its 20th anniversary, Noclip hits the road to investigate the legacy of Half-Life and the incredible community working to keep the dream alive.

Featuring Geoff Keighley (The Game Awards), Cory Barlog (God of War), Vince Zampella (Titanfall / Call of Duty), Randy Pitchford (Borderlands), Laura Michet, Scott Smith, Robert Yang and more.

I’m From Hollywood, I Have the Brains

Andy Kaufman began wrestling women as part of his stand-up act and then decided he wanted to get involved in professional wrestling. By the way, I remember seeing the above video clip on our local Saturday morning wrasslin’ program after spending the night at a friend’s house. Hilarious now, but as kids, we didn’t think the taunts were so funny.

Y’all probably know all this already, but here’s wiki-wiki-Wikipedia to tell the whole story about Kaufman’s feud with Jerry Lawler …

Kaufman initially approached the head of the World Wrestling Federation, Vince McMahon Sr., about bringing his act to the New York wrestling territory. McMahon dismissed Kaufman’s idea as the elder McMahon was not about to bring “show business” into his Pro Wrestling society. Kaufman had by then developed a friendship with wrestling reporter/photographer Bill Apter. After many discussions about Kaufman’s desire to be in the pro wrestling business, Apter called Memphis wrestling icon Jerry “The King” Lawler and introduced him to Kaufman by telephone.

Kaufman finally stepped into the ring (in the Memphis wrestling circuit) with a man—Lawler himself. Kaufman taunted the residents of Memphis by playing “videos showing residents how to use soap” and proclaiming the city to be “the nation’s redneck capital”. The ongoing Lawler-Kaufman feud, which often featured Jimmy Hart and other heels in Kaufman’s corner, included a number of staged “works”, such as a broken neck for Kaufman as a result of Lawler’s piledriver and a famous on-air fight on a 1982 episode of Late Night with David Letterman.

For some time after that first match, Kaufman appeared wearing a neck brace, insisting that his injuries were much worse than they really were. Kaufman would continue to defend the Inter-Gender Championship in the Mid-South Coliseum and offered an extra prize, other than the $1,000: that if he were pinned, the woman who pinned him would get to marry him and that Kaufman would also shave his head.

Eventually it was revealed that the feud and wrestling matches were staged works, and that Kaufman and Lawler were friends. This was not disclosed until more than 10 years after Kaufman’s death, when the Emmy-nominated documentary A Comedy Salute to Andy Kaufman aired on NBC in 1995. Jim Carrey, who revealed the secret, later went on to play Kaufman in the 1999 film Man on the Moon. In a 1997 interview with the Memphis Flyer, Lawler said he had improvised during their first match and the Letterman incident.

Although officials at St. Francis Hospital stated that Kaufman’s neck injuries were real, in his 2002 biography It’s Good to Be the King … Sometimes, Lawler detailed how they came up with the angle and kept it quiet. Even though Kaufman’s injury was legitimate, the pair exaggerated it. He also said that Kaufman’s furious tirade and performance on Letterman was Kaufman’s own idea, including when Lawler slapped Kaufman out of his chair. Promoter Jerry Jarrett later recalled that for two years, he would mail Kaufman payments comparable to what other main-event wrestlers were getting at the time, but Kaufman never deposited the checks.

The Soul Of Rock ‘n’ Roll Is Mistakes

Google Books has archived every issue of SPIN, which is what my original post was going to be about. Then I started digging around in an old issue from the summer after I graduated college (August, 1991), and rediscovered an excellent Paul Westerberg interview. Apparently, rock has always been on the verge of imminent collapse, to quote the man himself. We bastards were just the other day discussing rock’s back seat in pop culture, and this edition of SPIN is 27 years old! Anyhoo, I was amused by this …

SPIN: Is rock dead?

Westerberg: Well, is jazz dead? That’s the way I look at it. Rock ‘n’ roll is underground once again, but it won’t die, just like jazz won’t. It’s not the popular music of the day, but it’s not dead.

A little later, the interviewer asks if Elvis was king, which leads to this exchange …

SPIN: What about somebody like Alex Chilton? You made him a rock hero in your song.

Westerberg: No. I don’t know what Alex represents. Now I listen to his new Rhino compilation, and it’s like, I can’t make up my mind whether Alex is some brilliant chameleon or just a guy who fucking lost it real quick. I almost regret writing that song. It’s sad, because kids will come and ask me about Alex and you’ll see this look in their eyes, and they think he’s some guy in leather pants that jumps from amplifiers or something. It’s like, if they only knew.

Interview here, every issue of SPIN here.