And just in time for Halloween! What a coincidence.
The Curse of Frankenstein 4K Restoration
Some dude bought Hammer Films a few years ago and is restoring the catalog in 4K – from the original negatives! I found the YouTube channel and watched a few trailers; these things are absolutely stunning.
Anyway, here’s an eight-minute video explaining the process. I understood some of it.
Guillermo Got His Teeth Fixed!
And I’m super-excited to see his take on Frankenstein, apparently something he’s wanted to do for years. Even if it sucks, it’ll be gorgeous. Available on Netflix November 7, you monstrous bastards!
Oh, and if you haven’t checked out his Cabinet of Curiosities from a few years ago (also on Netflix), you definitely should.
A Documentary Made By Fans, With Fans, For … Fans
Crowdfunded project coming Q4, 2025. Order yours today! Of course, you might want to see the film first.
Sludgefest
A few years ago, a Canadian musician slowed down a few Chipmunks songs to 16 RPM, and it’s kind of awesome. The singing is pretty good, and at that speed, it’s all gothy and moody. Like you have anything better to do today.
0:00 Call Me
6:12 Walk Like An Egyptian
13:00 Heaven Is A Place On Earth
20:58 Diamond Dolls
27:17 You Keep Me Hanging On
35:28 My Sharona
43:25 Always On My Mind
50:13 Refugee
How Much For The Whole Collection?
This is the same guy who did the Clockwork Orange location tour I posted not too long ago. I’m slightly obsessed with his channel at the moment.
This Looks Pretty Good
Stephen King likes it, anyway. And it’s 100% fresh on that produce site.
The Internet’s Inevitable Enshittification

How platforms decay, as explained by Cory Doctorow to NPR. Finally a name for what we may not consciously recognize but deep down know is going on.
… I think Facebook’s a good example. Facebook went through the whole lifecycle of platform decay. They started off by offering a really good deal to their end users. They said, “Hey, leave MySpace, come to Facebook. It’s just like MySpace, except we only show you the things that you asked to see, and we’ll never spy on you.”
And then once those users were locked in — because once you’re in a place with all of your friends, it’s really hard to leave — they started to take away some of that good stuff they gave them, and they handed it to advertisers and publishers.
To the advertisers, they said, “We were lying when we said we weren’t going to spy on these guys. We’re totally spying on them. Here’s all the data you need to target them for ads that we’re not going to charge you much money for.”
And to the publishers, they said, “We are also lying when we said we’d only show them the stuff they asked to see.”
And then once the publishers and the advertisers were locked in, well, they took away those surpluses. The ads got more expensive. Publishers had to put more and more of their content — not just to get recommended, but even to be shown to the people who subscribed them. And that’s the final stage, the stage where there’s just only the residual value left on the platform that the platform owner thinks will keep the users and the business customers they bring in stuck to the platform. And that’s when we’re at the beginning of the end.
Further reading.
Like I Say Like I Say Like I Say
The Hives are back! Evil … Swedes?
