Crowdfunded project coming Q4, 2025. Order yours today! Of course, you might want to see the film first.
Sludgefest
A few years ago, a Canadian musician slowed down a few Chipmunks songs to 16 RPM, and it’s kind of awesome. The singing is pretty good, and at that speed, it’s all gothy and moody. Like you have anything better to do today.
0:00 Call Me
6:12 Walk Like An Egyptian
13:00 Heaven Is A Place On Earth
20:58 Diamond Dolls
27:17 You Keep Me Hanging On
35:28 My Sharona
43:25 Always On My Mind
50:13 Refugee
How Much For The Whole Collection?
This is the same guy who did the Clockwork Orange location tour I posted not too long ago. I’m slightly obsessed with his channel at the moment.
This Looks Pretty Good
Stephen King likes it, anyway. And it’s 100% fresh on that produce site.
The Internet’s Inevitable Enshittification
How platforms decay, as explained by Cory Doctorow to NPR. Finally a name for what we may not consciously recognize but deep down know is going on.
… I think Facebook’s a good example. Facebook went through the whole lifecycle of platform decay. They started off by offering a really good deal to their end users. They said, “Hey, leave MySpace, come to Facebook. It’s just like MySpace, except we only show you the things that you asked to see, and we’ll never spy on you.”
And then once those users were locked in — because once you’re in a place with all of your friends, it’s really hard to leave — they started to take away some of that good stuff they gave them, and they handed it to advertisers and publishers.
To the advertisers, they said, “We were lying when we said we weren’t going to spy on these guys. We’re totally spying on them. Here’s all the data you need to target them for ads that we’re not going to charge you much money for.”
And to the publishers, they said, “We are also lying when we said we’d only show them the stuff they asked to see.”
And then once the publishers and the advertisers were locked in, well, they took away those surpluses. The ads got more expensive. Publishers had to put more and more of their content — not just to get recommended, but even to be shown to the people who subscribed them. And that’s the final stage, the stage where there’s just only the residual value left on the platform that the platform owner thinks will keep the users and the business customers they bring in stuck to the platform. And that’s when we’re at the beginning of the end.
Further reading.
Like I Say Like I Say Like I Say
The Hives are back! Evil … Swedes?
Jesus Is Coming
Better get a perm.
Mars Junction?
You couldn’t make up the Winklevi; they are so much better than satire.
I enjoy a train wreck as much as the next surly old geezer, but I have not yet sampled the Aoelan cadences of Mars Junction.
NecronomiCon
“The weird is a way to connect with the world around us and make sense of it.”
So they say at the H.P. Lovecraft festival, held recently in Providence, R.I. There were film screenings, readings, academic presentations, concerts, live podcasts, walking tours of Lovecraft’s Providence, gaming, hardly any cosplay, and a Cthulhu Prayer Breakfast.
I like this crowd.