Category: Great Artists Steal

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40 Years Ago Today!

Dylan shows up to play Letterman with a punk band (the Plugz who later became Cruzados) and it absolutely rips. They never played with him again, but apparently had spent a month or so playing with him at his house.

A good interview with the bass player here talking about how it all went down (from a very good book about musicians who played with him).

On a side note, I saw Bob last night here in Beerville. I loved it.

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AI Images Are Getting Better

The prompt for this was “Panicked dental patient receiving a new crown in an office full of dentists in the style of Norman Rockwell” using Bing AI Image Creater.

And here’s “Jesus admiring a quantum computer on the moon in the style of Norman Rockwell.”

I give you “Man lifting weights with Jesus in the gym in the style of Norman Rockwell.” By the way, JESUDS SHEDUS is my new stage name.

And finally, “Jesus laughing and drinking a beer with friends in a bar in the style of Norman Rockwell.”

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I’m Not Trying to Be Elvis

I noticed this was leaving the Criterion Channel, and figured I’d watch it. I never really knew much about Orion (Jimmy Ellis) or listened to him at all, dismissing him as an Elvis impersonator. I know y’all aren’t Elvis (RIP PBUH) devotees like I am, so I don’t know if you’d find it as fascinating, but I was transfixed. Also, there is a ZINGER about 3/4 in, that they focus on for about 5 seconds, that discusses who his real father is (you can guess), and why he may sound EXACTLY like Elvis when he sings. As someone who has listened to a lot more EP than you have, I mean Exactly.
Continue reading “I’m Not Trying to Be Elvis”

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The Wilhelm Scream

It’s positively ubiquitous! According to Gizmodo …

The sound effect that’s been heard in countless movies and TV shows over the decades technically has two birthdays. As a sound itself, it originally debuted in the 1951 film Distant Drums from singer-songwriter Sheb Wooley. But it was officially given its name with the minor character of Private Wilhelm in The Charge at Feather River, a western that came out July 11, 1953. In that movie, Wilhelm (played by actor Ralph Brooks) screams after being shot in the thigh with an arrow, which would come to define its use: in all of its appearances in future media, it would be used when someone got shot, blasted back by an explosion, or fell from a high distance.

Recently, CBS News did a story on the Wilhelm Scream, and the outlet revealed that it managed to find a tape with the first recording session Wooley did for the scream. CalArts researcher Craig Smith explained to CBS that he found the tape among many from the archives of the University of Southern California’s film school that were close to being trashed.

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Fair Use And Transformation

Lynn Goldsmith took the photo on the left. She recognized the Warhol silkscreen on the right as her material, and challenged the Warhol Foundation over fair use, in a copyright infringement case.

Fair use – when one artist can borrow from another without permission or payment – hinges on “transformation,” in the law. When the goals and function of the secondary work in question are quite different from the original, transformation is said to occur. Last month a New York appeals court found in favor of Goldsmith: they reversed a lower court decision, and said that the standard of transformation was not met.

Transformation is probably a deep, aesthetic, philosophical and cultural concept – so it’s comical when courts try to sort it out.

Right?

A few years back, a bevy of art critics declared that Marcel Duchamp’s 1917 sculpture called “Fountain” — a store-bought urinal he had presented, unchanged, as art — was the most influential work of the 20th century.