After 40+ years, this still might be the strangest cover version I’ve ever heard of anything. The re-worked lyrics, where I can understand them, are hilarious. I know only two things about the Residents: they were from San Francisco, and they had a guitarist called Snakefinger. Perhaps former Bay area Bastards can add something. According to the comments, the animation is by Ivan Maximov, a Russian. I don’t know anything about him either. As far as I know, the song and animation are unrelated, but they make a perfect match. Beyond that, words fail me on this one.
“The weird is a way to connect with the world around us and make sense of it.”
So they say at the H.P. Lovecraft festival, held recently in Providence, R.I. There were film screenings, readings, academic presentations, concerts, live podcasts, walking tours of Lovecraft’s Providence, gaming, hardly any cosplay, and a Cthulhu Prayer Breakfast.
I like this crowd.
This looks pretty good. Renfield, didn’t you play there?
“Nightclubbing” is the first-ever documentary about the renowned New York City nightclub Max’s Kansas City (1965-1981) which had an indelible impact on the worlds of music, fashion, art, culture and the creation of the city’s punk rock scene.
Featuring rare footage of Iggy & The Stooges, New York Dolls, Sid Vicious and Wayne/Jayne County & classic footage from Johnny Thunders/Heartbreakers, unique archival footage and exclusive interviews with Alice Cooper, Jayne County, Billy Idol, Steve Stevens, music journalist/Patti Smith Band guitarist Lenny Kaye, late New York Dolls guitarist Sylvain Sylvain, Warhol superstars Penny Arcade & Ruby Lynn Reyner, Suicide’s Alan Vega, Bad Brains H.R. & Dr. Know,
Stimulators’ Denise Mercedes, Nick Marden (and their then-12-year-old drummer, future Cro-Mag Harley Flanagan), Twisted Sister’s Jay Jay French, D Generation’s Jesse Malin, Blondie’s Frank Infante, Dead Boys’ Jimmy Zero, Stiv Bators’ girlfriend Cynthia Ross, Mickey Leigh, Shrapnel/Monster Magnet’s Phil Caivano, Punk Magazine founder & Ramones album cover illustrator John Holmstrom, Mink Deville’s Louis X. Erlanger, American Hardcore author Steven Blush and a who’s who of New York’s rock scene of the time, including Elliott Murphy, Bob Gruen, Peter Crowley, Neon Leon, Leee Black Childers, Donna Destri, Sonny Vincent, Phillys Stein and the fabulous Jimi LaLumia.
As usual, I rely on Wikipedia to fill in the gaps …
Korgoth of Barbaria is a pilot episode for what was originally planned as an American adult animated television series created by Aaron Springer, a storyboard artist, writer and director for Dexter’s Laboratory, The Grim Adventures of Billy & Mandy, Samurai Jack, and SpongeBob SquarePants, who previously created another failed pilot at Cartoon Network Studios called Periwinkle Around the World. He would later go on to produce Billy Dilley’s Super-Duper Subterranean Summer for Disney XD. Genndy Tartakovsky, creator of Dexter’s Laboratory and Samurai Jack, directed the animation for the pilot. This was not the only time he worked on a pilot created by Springer, as Tartakovsky also produced and directed Periwinkle Around the World.
It was first aired in the United States on June 3, 2006, at 12:30 AM (EST) on Adult Swim. On June 18, Adult Swim ran a bumper announcing that Korgoth of Barbaria was officially picked up as a series, because of its critical and commercial success with garnering high ratings. Later events, including a formal petition to revive the show and an Adult Swim bumper announcement mentioning its cancellation, indicate that it was dropped before production began due to high production costs.
First half of season 4 coming January 21st. All episodes, you may ask? I don’t know, I might very well answer.
A new use for Viagra. I carry some genetic risk for Alzheimer’s, indeed you bastards may have already diagnosed me. If I go this treatment route, Mrs. Renfield’s probably going to throw open the marriage on my end.
I was bored at a relative’s home over the weekend and noticed a copy of the Neil Young biography, Shakey. I started reading random passages and ran across something interesting. Someone (I forgot who) recalls a meeting between Stephen Stills and Bob Dylan. After the meeting, Stills mentioned to the narrator that although he admired Dylan very much, he didn’t consider Dylan a musician. The narrator was horrified. The great Bob Dylan, not a musician?
Stills was correct. Let’s look at the facts. As a guitarist, Dylan doesn’t display much that you couldn’t teach anyone. As for the harmonica (barely an instrument really, but let’s be thorough), his playing reminds me of why I hid our harmonica from my two sons when they were very young. As for his singing, you could argue that the younger Dylan’s voice gave an appropriate tone to some of his songs. But we’re talking about musicianship here, and his singing has never been good in purely musical terms. And as for his “mature” voice, it reminds me of the noise my stomach was making a couple of weeks ago after I ate too many ribs.
Then there’s songwriting. I won’t deny he’s written some good ones (hard not to do when you’ve written several million). At best, they are effective support for the main ingredient, his lyrics. Musically, there isn’t much going on in them. You can find great instrumental parts, but they’re the work of others such as Robbie Robertson, Al Kooper, et al. Well-known covers of his songs are always better than the originals. Well, maybe not always.
So is Dylan a musician? Nah.
Dylan’s talents lie in lyrics and self-promotion. But as a lyricist, he is not the infallible god of his most ardent fans. It’s been pointed out elsewhere that you can’t be “along” a watchtower. You can be in, on, around, or even buried under one (which might have been a better premise), but not along one. Nit-picking perhaps, but it has a reputation as a great song, and great writing must be precise, even where the meaning is obscure. Then, there are some real clunkers. “Mr. Tambourine Man” is just plain dumb. But to be fair, everyone has bad days, and you can’t write as much as he has without misfiring. I find the protest songs to be overly earnest and boring, but my anti-folkie bias might disqualify me as a judge of those.
His real genius has been in nurturing the cult of his own genius. I can’t think of an artist who has more deftly used aloofness and contempt to rope fans into a sort of narcissistic codependency. It has enabled him to carve out a career on his own terms, so good for him. It has also worked so well that there will be no clear-sighted reassessment of Dylan until most boomers have downsized to the cemeteries.
That said, I’ve always liked his Live 1966 album where he gave a middle finger to the folkies by going electric. There’s real rock’n’roll tension there, and The Band play like gods. I also enjoyed his Theme Time radio show back in the aughties.
Please to appreciate Burton’s twist on ‘Twas the Night Before Christmas, and its Halloweenland evolution – both narrated by Christopher Lee.
Two old guys, a Manhattan apartment building, the New Yorker font.
I’m one episode in, on the Hulu. Looks promising.