Monkeystador’s conceptions of truth and justice may have been heavily influenced by these shows, now that I think about it. They hit me at just the right age and I watched them all the time.
I was right angry when a new Shazam! (2019) came out and they called the main character “Shazam.” No, you fools, he SAYS Shazam but his NAME is Captain Marvel. I can’t even with this stuff. Hollywood needs to consult me on more of its releases.
Now that I think about it, the “Seven” gods from Game of Thrones were just a variation on the six elders that advised Billy Batson: Solomon, Hercules, Apollo, Zeus, Achilles, and Mercury. Apparently Shazam! is an acronym of their names. I never knew that because we didn’t have wikipedia when I was a kid. You youngsters have it too easy.
Also, schoolteacher Andrea Thomas / Isis is highly underrated as a 1970’s pinup. All my friends were Farrah Fawcett or Wonder Woman stans, but Bionic Woman and Isis deserve some love.
Gone but not forgotten!
This video is only concerned with the artists who contributed to Mad in it’s first two decades – even if some of them carried on for longer. I’ve got nothing against those who came later but I’m selfishly only dealing with the ones who inspired and influenced me as I grew up. They taught me more than 4 years of college ever did. Apparently in the early Kurtzman comic years Mad was printed in colour, although all the examples I found were black and white only, and according to a particularly grumpy viewer Dave Berg didn’t die until 2002. Mea culpa.
I read Peanuts over and over as a youngster. Our discussion of “Well-Tempered Clavier” triggered an old panel in my head. I couldn’t find it, of course, but seem to remember Schroeder’s involvement. It was a good springboard to look up his outstanding output.
I’m sure the classically-trained bastard among us can identify Schroeder’s enthusiastic tunes by a single measure.
I was reminded of this today and felt it needed a reposting. As the story goes, I first saw this issue of MAD at my friend Geoff’s house when we were in the third grade. I was a sensitive, sheltered kid, and remember feeling nauseated after reading MAD’s “Punk Rock Group” of the Year. Punching fans! Vomiting and urinating onstage! Self-mutilation!
But a few years later, when I actually got into punk in middle school, I spent an inordinate amount of time looking for it at Memphis Comics and Records. (I never had any success, mostly because I only had a rough timeframe for when that issue would have been published, and no Internet to assist me.)
I did, however, finally find it when my in-laws gave me every issue of MAD on CD one Christmas. These days, I’m positively obnoxious about reposting it.
BONUS: Here’s an interview with artist Harry North.
I’ve posted a few of this guys videos before. Just … sickeningly talented.
Okay, everybody back in the Marvel pool.
In 2006, a blogger argued that the above caption worked for every New Yorker cartoon. As I am not as highbrow as you lot, I wouldn’t necessarily know.
More recently, the following universal caption has been suggested:
I’ll leave it to all y’all to decide if they both work for every cartoon.
Has anyone entered this week’s caption contest?
WARNING: Some of the artwork featured in this interview is inappropriate for the work environment. (You know, pee-pees and whatnot.)
From Fritz the Cat to Mr. Natural – meet the cult cartoonist Robert Crumb, whose artistic world is full of anti-heroes and demons from modern America and his own subconscious. In this rare interview, Crumb talks frankly about refusing to adhere to political correctness, and about his never-ending urge to unravel the layers of delusion in the world – as he says: “I’m still digging.”
Easily the best creative content in the DCU.